張富峻,1965年生於台灣花蓮,1989年東海大學美術系畢業,同年獲台北市立美術館水墨創新獎及第十四屆雄獅美術新人獎肯定後,於雄獅畫廊舉辦首次個展,正式參與現代水墨研創之路,著重將自身與山川田野對話,以直觀的自動性書寫方式轉化複雜的自然現象,屬非傳統的、非具象的全局繪畫,其自動性書寫線條形構的流轉空間,表達人與自然連結的內在觀照體驗。
其繪畫思想來自對於兩宋元明水墨畫,那是依託禪道理學而成一門窮究天人之際的藝術,以天地造化與心性幻變為觀照對象來從事修鍊。其繪畫創作一方面以心性修養為引導,一方面將書法還原以求骨幹,上溯字源探詢符號創生原則的內涵,追求感通詩境的藝術之道。
1999年創「圍棋結構法」後,陸續發表清象、體勢、山岩、山人、密林、觀花、流風系列。「全局繪畫」的構成觀念,是將畫面構成的四方紙材視為演示場域,利用毛筆自動性書寫來生發中心性結組的旋律氣機,循「角、邊、中」結構法則形成一種內抱式空間,全局演示中帶出迴環照應的山林格勢,讓意識活動與生命能量逐漸向內集中摶抱,因而產生寧靜幽遠的精神世界。
2009年,將中國詩學中情景交融的理論,化為與自然互動的現代繪畫實踐,以山野中吹拂的風與天地間流盪的水,為觀照導引的對象,觸發出生命的感動;創作飄颻、山素寫、山雨、雲水波瀾、月光、觀花節氣等系列作品,以獨特的雞毛筆雄肆宕逸的筆線,與潑灑奔放的色與墨,藉助抒情抽象的表現形式來激盪出內心的情感。
Chang Fu-Chun was born in 1965 in Hualien, Taiwan. Graduated from the department of Fine Arts of Tunghai University in 1989, he won the Innovation Award under the Ink Painting category awarded by Taipei Fine Arts Museum and the 14th Lion Art New Artist Award in the same year and held his first solo exhibition at Lion Art Gallery after that, formally step on the road of research and creativity of modern ink paintings. His creation is a non-traditional and non-figurative overall painting which focuses on his personal dialogue with the mountains and fields, using an intuitive and automatic method of calligraphy to transforms complex natural phenomenon. The flowing space composed by the automatic calligraphic line conveys the inner observational experiences of the connection between human and nature.