「藍心之物—李婷婷台灣首個展」
2018-08-17|撰文者:大觀藝術空間;非池中藝術網編輯整理
「藍心之物」,為藝術家李婷婷由物走向山水的創作歷程,在作品中充分顯現出其熟善掌握水跡流動性與滲透性的特色。畫面中的藍色,不僅帶著天空的明媚,也是藍色的呼吸,生命永遠青春的色調,是讓人沉浸其間的生命空間。
李婷婷,《山水-15》,41x50x7cm。圖/大觀藝術空間提供。
李婷婷先後於山西師範大學藝術學院、中國人民大學藝術學院取得學士與碩士學位,以精湛水墨技法及現代物件元素創造出獨有的視覺風格,作品曾展出於美、法、德、韓等各國,更被北京今日美術館、山藝術基金會及澳洲白兔美術館典藏。
近年來,李婷婷更是參與多次重大展覽,包含在劉海粟美術館的《時間:李婷婷新作》、四川美院美術館的《無垠:行進中的水墨運動》、北京今日美術館的《關注的力量》、李可染畫院的《另存Ⅲ:中國畫材料與技法研究展》、山東美術館的《六城紀:中國新水墨聯展》等展覽。
李婷婷,《木馬》,97x182cm。圖/大觀藝術空間提供。
美國加州大學聖地牙哥分校的視覺藝術系沈揆一教授,便曾指出李婷婷作品中可見其「對筆墨形式語言本體價值的建構作出獨到的詮釋」,此次為李婷婷在台灣的首次個展,展出作品可看出藝術家對水墨勾線和暈染的純熟技巧,以及對飽滿純色的精湛運用,使畫面營造出清澈的透明感。
李婷婷,《碗》,55x48cm。圖/大觀藝術空間提供。
中國人民大學文學院教授暨知名策展人夏可君教授也認為李婷婷看似靜物畫傳統的作品,卻已非傳統意義上作為描摹對象的靜物畫。人並不自外向內、自上而下地俯瞰另一個水準維度的世界,而是面對面地遭遇,似乎這些物伸手可及。
李婷婷,《兩隻獅子-1 》,61x48cm。圖/大觀藝術空間提供。
近年來,李婷婷更擴增山水題材的新作品,其帶有立體裝置厚重感並藍色化的山水,是畫家試圖讓山水具有一種切近的觸感。李婷婷的山水延續之前的現成品繪畫,讓平面繪畫具有了立體的觸感,似乎如同女性的化妝盒,一種可以精心收藏之物。
此次大觀藝術空間「藍心之物—李婷婷台灣首個展」的作品,藝術家開始思考將「時間」元素注入水墨作品中,在最新的山水系列中可以看到從靜物到山水的思考脈絡。從藝術家創作的角度出發,本展覽又可以稱之為是一件「連續構圖」的大作品。作品間獨立又相互關聯,既是空間的藝術又暗含了時間的概念在其中。
李婷婷,《山水-19》,48.4x69x5cm。圖/大觀藝術空間提供。
「藍心之物—李婷婷台灣首個展」於8/25舉辦開幕活動,藝術家李婷婷將親自出席,大觀藝術空間誠摯邀請各位蒞臨,透過藝術家李婷婷、國立台北教育大學藝設系林志明教授、大觀藝術空間郭玲蘭總監的對談交流,走進專屬於藝術家的藍心山水新世界。
A Vista in Blue – Li Tingting Solo Exhibition
“A Vista in Blue” records the journey artist Li Tingting went through from painting objects to landscapes, and the paintings articulate her mastery techniques in the handling of ink and colours. The blueness in the paintings is of the colour of the sky, the air that one breaths, and the shade of eternal youth which one losses oneself in.
Having graduated from Shanxi Normal University and Renmin University of China respectively with a bachelor and a masters degree, Li’s works are filled with superior techniques and contemporary elements and have been exhibited extensively – in the US, France, Germany and Korea, just to mention a few. Her works are among the collection of major museums and galleries such as Today Art Museum, Shan Art Foundation and the White Rabbit Gallery.
Li Tingting has had many important large scale exhibitions in the recent years, including “Time: Li Tingting’s New Works” in Liu Haisu Art Museum, “Boundless: Ongoing – Chinese Ink Art” in Art Museum of Sichuan Fine Art Institute, “Control+Shift+S III” in Li Keran Academy of Painting and “The Tale of Six Cities” in Shandong Art Museum.
Professor Kuiyi Shen from the University of California San Diego who specialises in Asian Art History, Theory and Criticism states that Li Tingting’s “interpretation of ink and its value is unique in her own way”. One may see her mature techniques in the handling of ink as a medium in the works exhibited in her first solo exhibition in Taiwan.
Professor Xia Kejun from the School of Liberal Arts in Renmin University of China who is also a renowned curator points out that despite the apparent traditional nature of Li Tingting’s still-lifes, they do not exist in the traditional sense when the painter simply copies its forms. One does not study from the outside to the heart, nor from the top to the bottom when observing the world; but experience the surroundings face to face, as if these objects were within an arm’s reach.
Among Li Tingting’s latest landscape paintings, some are produced as installations to bring the audience closer to the works. Li extends her ready-made paintings and combines new elements with the works, in the manner of a lady’s toilette box that can be treasured.
The artist takes the element “time” into consideration when creating the works for the paintings included in the exhibition “A Vista in Blue”, and one may sense the artist’s progressing concepts from still-lifes to landscapes. The landscapes on display can be seen as a large scale work with “continuous composition”, they are individuals that are closely connected, waving a sense of time and space onto paper.
“A Vista in Blue” will open to the public on Saturday 25th August 2018. Daguan Gallery sincerely invite you to join the artist Li Tingting, Professor Lin Chi-Ming from the Department of Arts and Design in National Taipei University of Education and
Vanessa Kuo, Director of Daguan Gallery to a talk specially held for the opening of the exhibition, to discuss Li Tingting’s blue world.
「藍心之物—李婷婷台灣首個展」展覽訊息
大觀藝術空間粉絲專頁
新聞聯絡人:
大觀藝術空間 8501-5677
REACTIONS
熱門新聞
1
當代繪畫的模樣 —— 短評第二屆中國信託當代繪畫獎
荷蘭法院最終判定破壞《戴珍珠耳環的少女》的三名比利時氣候抗議人士 免除刑期
從美學教育到思想的連動,以及藝術邊界的探新,ART TAINAN 2024 台南藝博持續開創的藝術生態體系
ART TAINAN 2024:從文化古都的盛宴中感受藝術家對於生活片刻的描摹
第二屆 「中國信託當代繪畫獎」總獎金200萬元!關美館3/15盛大開箱,17件作品以當代視野翻轉繪畫框架
帝圖2024迎春拍0331盛大登場,張大千《潑彩蔣山瑞翠圖》、鴻禧美術館舊藏元青花梅瓶及朱德群1979年三聯屏重量領銜
忠泰美術館國際巡迴攝影藝術展《文明:當代生活啟示錄》, 跨國聯合製作約兩百件作品 反思人類的當下與未來
流淌的表面,空缺的內在殘響:高于晶《和—諧》
巴斯奇亞熱潮再現?高古軒畫廊策展,回顧藝術家在洛杉磯的創作時光
2024臺南新藝獎「無際棲域」盛大開幕! 串聯歷屆獎項得主與特色巷弄空間,探索臺南獨特的歷史氛圍
站內推薦
猜你喜歡
view all《海派—石允文教授收藏書畫精品展 》:大觀藝術空間展出中國近代重要的繪畫流派-海上畫派
2021-05-01|撰文者:大觀藝術空間/非池中藝術網編輯整理2360
光影與時間的交會:在日常中瞥見藏匿於中的歲月靜好,大觀藝術空間展出《鑿影者》藝術家聯展
2021-03-19|撰文者:大觀藝術空間/非池中藝術網編輯整理2585
遺骸、殘物與喚生術:劉玹希的當代金石考
2021-02-22|撰文者:大觀藝術空間/非池中藝術網編輯整理2854
延展雕塑中的觀看與身體感:大型極簡主義雕塑的開拓者 理查.塞拉享壽85歲
2024-03-28|撰文者: 非池中藝術網王襦萱編輯整理325
意識的場域與媒介框架的解放,關於Art Basel Hong Kong 2024 香港巴塞爾形塑的美學路徑
2024-03-27|撰文者:非池中藝術網王玉善編輯整理729
展會直擊!ART BASEL HK 2024香港巴塞爾藝術展,編輯精選15件亮點作品
2024-03-27|撰文者:非池中藝術網張家馨編輯整理1395