非池中藝術網

大河美術 River Art

【觀花・節氣】張富峻個展

  • 展期

    日期:2017-12-16 ~ 2018-01-28

  • 地點

    大河美術

  • 參展藝術家

    張富峻

  • 大河美術將舉辦《觀花・節氣──張富峻個展》,預計展出最新之二十四節氣系列創作,藝術家本人亦將親臨開幕現場,誠摯歡迎您的蒞臨!

    |展期|2017/12/16(六)–2018/01/28(日)
    |開幕|2017/12/16(六) 3 PM (藝術家將出席)
    |地點|大河美術 2F
    |地址|苗栗縣三義鄉水美305號

    張富峻,1965年生於台灣花蓮,1989年東海大學美術系畢業,同年獲台北市立美術館水墨創新獎及第十四屆雄獅美術新人獎肯定後,於雄獅畫廊舉辦首次個展,正式參與現代水墨研創之路。創作著重將自身與山川田野對話,以直觀的自動性書寫方式轉化複雜的自然現象,屬非傳統的、非具象的全局繪畫,其自動性書寫線條形構的流轉空間,表達人與自然連結的內在觀照體驗。

    此次「觀花・節氣」系列新作,探索二十四節氣的各異風貌,以心靈的觸機與隱遁山水之間的對話為橋,在朦朧觀照的審美狀態中,尋得精神領域的自由恣意與從容喜悅,最終重新搭建人與天地的感應。透過獨特的雞毛筆雄肆宕逸的筆線,與潑灑奔放的色與墨,藉助抒情抽象的表現形式來激盪出內心的情感。

    --
    “Flower Viewing・Solar Term-Chang Fu-Chun Solo Exhibition” will be held at RIVER ART with the latest series of works of twenty-four solar terms expected to be displayed. The artist will attend the opening reception. We cordially welcome your visit!

    |Duration| Dec. 16, 2017 (Sat) – Jan. 28, 2018 (Sun)
    |Opening| Dec. 16, 2017 (Sat) 3 PM (The artist will be in attendance)
    | Venue | 2F, RIVER ART
    |Address| No.305, Shuimei, Sanyi, Miaoli 36744, Taiwan

    Chang Fu-Chun was born in 1965 in Hualien, Taiwan. Graduated from the department of Fine Arts of Tunghai University in 1989, he won the Innovation Award under the Ink Painting category awarded by Taipei Fine Arts Museum and the 14th Lion Art New Artist Award in the same year and held his first solo exhibition at Lion Art Gallery after that, formally step on the road of research and creativity of modern ink paintings. His creation is a non-traditional and non-figurative overall painting which focuses on his personal dialogue with the mountains and fields, using an intuitive and automatic method of calligraphy to transforms complex natural phenomenon. The flowing space composed by the automatic calligraphic line conveys the inner observational experiences of the connection between human and nature.

    For this new series of works “Flower Viewing・Solar Term” which explores different style and features of the twenty-four solar terms, the dialogue between spiritual contact and hidden landscapes serve as a bridge. In an aesthetic condition of obscure observations, it seeks the freely willful and leisurely joy of the spiritual field before re-constructing the sensations amongst human, heaven, and earth. Through the uniquely majestic and dissolute lines of the chicken feather brush, and the unrestrained splash of colors and ink, the expressive forms of lyrical abstraction stimulate inner emotions and feelings.

大河美術張富峻水墨複合媒材隱遁山水

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