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關於
杜爾(楊偉彬)畢業於馬來西亞藝術學院,2012年就讀臺師大美術系研究所時接觸陶藝,展開另一條創作之路。
其創作亦是文化身份認同的辯證過程,以跨文化的異種元素作為創作題材,將中華文化,影響東南亞的古印度史詩及三相神,結合馬來西亞原住民瑪美里的祭儀、南島語系與臺灣圖騰,把神、獸與人組成自己獨特的藝術語彙。將長期社會壓抑所累積的能量化為一件件張力十足,勇於衝撞禁忌,探討社會、宗教、歷史和權利的關係。
摒棄傳統優雅「美」學概念,保留「生猛」的原始感,將傳統民族文化作為傳達自身情感與社會議題的媒介,擺脫西方現代藝術中原始主義的框架,藉之重塑當今亞洲的當代藝術。
DUA(YEONG Wai-Beng). After graduated from the Malaysian Institute of Art, Dua studied in the Department of Fine Arts of National Taiwan Normal University in 2012, he was attracted by ceramic art and started a new artistic career.
His creation is also a dialectical process of cultural and personal identity. The cross-cultural background of artist become synthesis of the creative formation; from Chinese culture to Malaysian indigenous Mah Meri’s ceremonies, Malay mythology and epic of Ramayana1, Mahabharata as well as Siva of Trimuti, which have the huge influence in Southeast Asia among ancient Asian civilization. He combines God, demons with human elements to form his unique artistic style. The Austronesian and Taiwanese Totem element become the combinations in the following series, accumulated repression becomes his energy to hit taboos and exploring the relationship between society, religions, history and powers.
Dua abandons the concept of “beauty” and retains primitive “savagery”, consider the traditional culture as a medium for conveying his own emotions and social issues, to get out from the frame of Primitivism in modern art and reshape Asian contemporary art.
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展覽
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2023
【宇宙家園 Homeland Universe】 ,Bluerider ART ,英國 ,國際
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2019
【影.暴.性】錄像藝術展 ,双方藝廊 ,台北市 ,台灣
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2019
【影.暴.性】錄像藝術展 ,双方藝廊 ,台北市 ,台灣
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2018
【2018 ART TAIPEI 台北國際藝術博覽會】 ,藝境畫廊 ,台北市 ,台灣
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2018
【深山縱語|瑪美里神話再造 杜爾個展】 ,藝境畫廊 ,台北市 ,台灣
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