非池中藝術網

關於

1999年出生，目前正就讀國立台南藝術大學動畫藝術與影像美學所。最初由美術體系出身，從接觸藝術創作與脈絡，將藝術銜接至接觸科技、互動藝術，試圖發展兩者結合後所創造出獨特的藝術創作特點。過往在繪畫與雕塑之中體會到的美感與量體的感知，由自身身處時空背景為出發點，藉此創造出「俗科技載體」（X-2000）這個系列。藉由不同材質的媒材語彙，破壞與結合，使觀者由不同的角度感受此系列作帶來的藝術精神。把現成物及科技產物為結合點，作品不只以現成物為主；更是以日常所見之物件為創作媒材。在這技術飛越時代下，讓人不禁停下腳步思考著，最初的本質為何？因此在此將日常生活中常見物件重組，並賦予新的含義、重新闡釋何謂科技。從藝術角度切入進探討，而非生產角度。作品以「俗」為基底回應日常生活，「俗」又可作為次文化（Subculture），伴隨著主流文化時同時產製而出特殊的價值觀與行為等。將「俗」以回應主流文化所帶來的衝擊與變化，試圖嘗試達成自由亦或是解放的渠道。

Born in 1999, studying at the National Tainan University of the Arts in the School of Animation and Video Aesthetics. Originally from the fine art system, has been exposed to art creation and contexts, and has bridged art to technology and interactive art in an attempt to develop unique art creation characteristics created by the combination of the two. The series "X-2000" was created from the aesthetic and volumetric perceptions that he had experienced in his paintings and sculptures, and from the spatial and temporal context in which he lived. Through the combination of different materials and media, destruction and combination, the viewer can experience the artistic spirit brought by this series from different perspectives. By combining existing objects and technological products, the works are not only based on existing objects, but also on everyday objects as the medium of creation. In this era of rapid technological advancement, one cannot help but stop and think about the original nature of the artworks. Therefore, here we reorganize the common objects in daily life and give them a new meaning, reinterpreting what technology is. The work is an exploration from an artistic perspective rather than a production perspective. The work is based on "kitsch" as a response to everyday life, and "kitsch" can be used as a subculture, producing special values and behaviors in tandem with mainstream culture. The "kitsch" is used to respond to the impact and changes brought about by the mainstream culture, in an attempt to achieve a channel of freedom or liberation.