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來自新竹市,目前就讀於國立臺南藝術大學的動畫藝術與影像美學研究所動畫藝術組。
在大學時期開始接觸電腦動畫,並深深被以動畫作為載體來呈現想法與概念的表現手法所吸引,沉浸在角色之動作表演與視覺元素構築的虛實世界中。持續嘗試多元複合媒材的使用、挑戰不同的作品類型與風格調性也是我的創作目標。
我熱愛科幻、未來及超現實的主題,除了具體的科技產物與設計外,更包括在現今數位時代的蓬勃發展下,形塑而成的群體意識及社會現象。當生活不受時空限制、自動化、機械化、大數據控制人的五感。人類的主體性還會存在嗎?未來會是完美的烏托邦社會嗎?還是人類會是任科技所統治的馴良羔羊?這也是自身創作的主要方向及脈絡。
From Hsinchu City, currently studying in Graduate Institute of Animation and Film Art, Tainan National University of the Arts.
I started to get in touch with computer animation when I was in college, and I was deeply attracted by the expressive technique of using animation as a carrier to present ideas and concepts, and immersing myself in the virtual and real world constructed by the action performance of characters and visual elements. It is also my creative goal to continue to experiment with the use of multiple and composite media, and to challenge different types of works and styles.
I love the themes of sci-fi, future and surrealism. In addition to the specific technological products and designs, it also includes the group consciousness and social phenomena shaped by the vigorous development of the digital era. When life is not limited by time and space, automation, mechanization, and big data control people's five senses, will human's subjectivity still exist? Will the future be a perfect utopian society? Or will human beings be tame lambs ruled by technology? This is also the main direction and context of my own creation.