張晏菘
ZHANG, YAN-SONG
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關於
張晏菘 ZHANG, YAN-SONG 1999
東海大學美術系進修學士班雕塑組
獲獎
2022 第十屆 Reality Fantasy開拓原型祭 開拓盃原型大賽 評審獎 「愛」
2022 第40屆 東海大學美術系 師生美展 立體組 第三名 「失眠上天台」
2022 第40屆 東海大學美術系 師生美展 立體組 入選 「曖昧」
2022 第40屆 東海大學美術系 師生美展 立體組 入選 「黑貓」
個展
2021 「具現化系」 東海大學芳華廳前廊 台中 台灣
以中二病的方式表示：我是「具現化系」能力者。
把腦內奇幻的玄想，透過廢棄物、模型土等媒材，以立體雕塑的形式呈現。
2022 「造型之魅力所在」 東海大學A Plus藝術空間 台中 台灣
透過對「女性人物」的關注與想像，以日常的、柔和的風格，
將屬於她們獨有的詩性與感性，藉以身體的姿態表現出來。
創作理念
兩年前我開始嘗試立體雕塑，從此在創作上有了新的方向。當時在平面繪畫上遇到撞牆期與無力感，甚至懷疑自己；然而在繪畫西方古典油彩中又燃起一絲火花：在棕色基底上一層一層薄薄地透過白色顏料堆疊光影與立體感，這樣的畫法能使我享受繪畫。我試著尋找喜歡且適合自己的創作方式與媒材，於是忽有一個念頭：「既然嚮往光影與立體感的追求，或許可以嘗試雕塑？」然而現在，這卻成為我盼望畢生耕耘的道路。
我喜歡動漫、電影，喜歡公仔、雕像，喜歡自由地創作立體造型。起初我受日本造型藝術影響頗深，它是融合了動漫公仔與流行文化，以戲劇張力、角色魅力、質感擬真作為造型設計的首要目的，發展多元、廣泛。美國的模型用熱固土「Super Sculpey」是我進入雕塑領域的入門材料，然而我持續在嘗試利用不同媒材探索造型的可能，試圖建構屬於自己的造型世界，並期望在創作中尋找傳統雕塑與流行文化之間的關係與平衡。
ZHANG, YAN-SONG 1999
Experience
Tunghai University Department of Fine Arts Sculpture group
Honors and Awards
2022 Reality Fantasy 10 Scale modelling festival Fancy Frontier Cup, Jury Prize “Love”
2022 Tunghai University Department of Fine Arts Exhibition of Students and faculties, Sculpture group, third prize “Going to the Rooftop because of Insomnia”
2022 Tunghai University Department of Fine Arts Exhibition of Students and faculties, Sculpture group, judges’ award “Ambiguity”
2022 Tunghai University Department of Fine Arts Exhibition of Students and faculties, Sculpture group, judges’ award “Black Cat”
Solo exhibition
2021 “Conjuration” Tunghai University Fang-Hua hall gallery Taichung Taiwan Express the idea that “I’m a conjurer” in a chūnibyō way. Realize the fantasies in the imagination, with waste and molding clay, via the form of sculpture.
2022 “The Charisma of Postures” Tunghai University A Plus gallery Taichung Taiwan Represent the sensibility of women observed and imagined by postures in an everyday and tender style.
Inspiration
Two years ago, I made my first contact with the field of sculpture, and gladly encountered a new direction for art creating. I was stuck in a bottleneck and felt powerless in the graphic art field in that period, to a point I even started to doubt myself. However, when creating tradition western oil paintings, a speck of enjoyment came back to me. Layering the light, shadow and three-dimensional sense by adding white paint onto the brown base. This technique was a relish to me. As I continued to look for the approaches and materials that I like and suitable for me, I suddenly thought of: “Why not try out the sculpture field since pursuing light, shadow and three-dimensional sense is such a savory to me?” Now, the art of sculpture has become the field I’d like to devote my life to.
I love Japanese animations and movies, as well as action figures and sculptures. I enjoy creating sculptures freely. Japanese sculpture influenced me deeply in the early time. It is an art style where anime action figures and pop culture converged. The main aim is to display the dramatic tension, charisma of the characters, and imitate the texture of the original material that composed the characters. It has become a diverse and broad art category nowadays. At the beginning, thermosetting type clay, “Super Sculpey” was the brand, was the predominant material of my works. Yet, I am still exploring the possibilities with different materials in hope of constructing a sculpture world of my own, and find the relationship and balance between traditional sculpture and pop culture.