非池中藝術網

1981年 出生於臺灣，生活與創作於臺灣嘉義

2007年 畢業於國立臺南藝術大學造形藝術研究所 碩士

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重要經歷

2023　聯展《敲擊的迴響》花蓮縣石雕博物館，花蓮，臺灣

2020　獲獎《全國美展》金獎，暨免審查獎，臺中，臺灣

2019　獲獎《Art Takes Manhattan Award》紐約，美國

2019　參加《比利時 Waregem 國際石雕藝術創作營》比利時

2018　參加《德國 Obernkirchen 國際石雕藝術創作營》德國

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藝術家自述

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「藝術是需要有一顆赤子之心」

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我 － 屬於心靈直覺型的創作者。在安靜的世界裡直覺地感受他者是我一直在培養的本能，使創作行為變得坦白與直接，讓作品氣質自然投射出內在的童稚情感。

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喜愛觀察人事物的習慣，是成就自我風格的契機，「複合體」的創作觀念就從這裡開始，它來自﹋﹋符號的發掘，含括動、植物及人跟製造品範疇，存在著關聯性特徵的視覺意象，如接吻、拼圖、雙手十指交叉、浪花、腦紋、肉質軟珊瑚、海葵、水流、貝殼、苦瓜、蛇的移動、橘子果粒、葡萄、花朵、葉子、驅蚊草、裙襬波浪、蕾絲、菱形網、拉鍊、齒輪…等，在這些看似截然不同的事物中，有著共同的形象 － 連續循環交錯的弧線造形，表現出組合、連結、包覆、生長、行動等功能狀態，透過創意的發揮，重新連結生活記憶中的各種形象，將之同化、融合實踐在多樣貌的複合形式個體上，因此，作品隨著觀看角度不同，形體的詮釋與想像也跟著轉變。「複合體」指的是一個新生命誕生的同時具備過往元素的特質，但不是已知對象的拷貝，是一種對生命的重新認識，內在理想的塑造。

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「創作是一種內在的呈現而不是操作」

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石材如此堅硬、沉重的無機元素，透過思維的融合與技術的表現，創作出具有人性溫度的作品，過程中除了對石材的轉化外，自我內部的轉化也同步在進行著，這是一種內在的發聲練習，因為DNA早已決定大部分的我，不知不覺中主宰我的行為，反映出我的思緒，一一化為我的每個創作 ─ 我就是作品，作品即是我。

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對待石如對待人，有多少付出就有多少收穫，另一方面石頭本體如同我的身體，石材有堅硬的性質，也有脆弱的時候，好比我的精神狀態，對應到石材顏色，黑色代表內心不為人知的層面，橘色象徵身體，白色是純真理想的狀態，這是由內在情感昇華的形式，所謂相由心生，也是我一直追求的理念 ─ 創作是一種內在的呈現而不是操作。

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b. 1981, Lives and works in Chiayi, Taiwan.

2007 M.F.A., National Tainan University of Arts, Graduate Institute of Plastic Arts.

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IMPORTANT EXPERIENCE

2023　The Echo of the Knocking: Taiwan Stone Sculpture Art Exchange Exhibition, Hualien, Taiwan.

2020　National Art Exhibition, Gold Medal & Exempt from Review Award, Taichung, Taiwan.

2019　Art Takes Manhattan Award, Manhattan, New York, U.S.A.

2019　Waregem International Stone Sculpture Symposium, Belgium.

2018　Obernkirchen International Stone Sculpture Symposium, Germany.

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ARTISTS STATEMENT

“Art requires a childlike heart.”

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I am an intuitive, soul-driven creator. In a quiet world, my instinct to sense others has become a cultivated ability. This makes my creative process honest and direct, allowing the qualities of my work to naturally reflect the childlike emotions within me.

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My habit of observing people, things, and surroundings has shaped my personal style. The concept of “composite forms” originated from this, emerging through the discovery of symbolic visual language across categories like animals, plants, humans, and man-made objects. These include visual elements such as kissing, puzzles, interlocked fingers, ocean waves, brain textures, soft coral, sea anemones, flowing water, shells, bitter melons, snake movements, orange pulp, grapes, flowers, leaves, citronella, skirt ruffles, lace, mesh, zippers, gears, and more. These seemingly unrelated elements all share a common visual theme: interlacing, cyclical, curving forms. They symbolize connection, growth, movement, protection, and unity. Through creativity, I reconnect and assimilate these everyday memories into a variety of composite forms. Depending on the viewer’s perspective, interpretations shift—the form changes with the gaze. These “composites” represent the birth of new life forms that carry characteristics of the past, but are not replicas—they are redefinitions of life, shaped by inner ideals.

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“Creation is an internal expression, not just manipulation.”

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Stone, an inorganic material both heavy and hard, transforms through the fusion of thought and technique into works that carry human warmth. As the stone changes, so do I—each creation is a voice from within. Since DNA predetermines much of who I am, it unconsciously governs my actions and thoughts, which are ultimately manifested in my work. I am my creation, and my creation is me.

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Stone, to me, is like the human condition—what you give is what you receive. It can be strong yet vulnerable, like the mind and spirit. The colors of stone symbolize my internal states: black for hidden depths, orange for the body, white for pure idealism. This reflects my belief that form follows spirit—that art is a manifestation of inner truth, not mere technique.