非池中藝術網

趙璿

在瘋狂之後

2022|壓克力, 炭筆, 油性粉彩

163x130 cm

  • 趙璿:「創作像是寫日記,是一種自我探索卻又巧妙的與外界有所聯結,它是流動且難以捕捉的,將這些記憶中影像的殘骸與碎片,最終捕捉壓縮成一道風景一行詩句。」,心境總能在趙璿的筆間得到淋漓盡致的體現,她通過各式縱橫交錯、高低起伏的肌理處理,未乾的顏料因表面洇滲度的差異,產生半自動性的淤積,巧妙而不動聲色地映現層層遞進的歲月刻痕。景物依舊,人事已非,無數回憶宛若斑斕色彩流淌心中,隨著時間推移淬煉成形形色色的結晶,期許觀者在一張張情緒飽滿的畫作中,覓見與自身共鳴的記憶連結。

    Chao Hsuan: “The creative practice is like writing a diary, a self-exploration connected with the outside world. The creative practice is a state of fluidity, one that is difficult to grasp, finally captured as a scene or a line of poetry.” The inner states of existence are always eloquently portrayed in the works of Chao Hsuan. Through intertwined lines and uneven textures, the wet pigments semi-automatically pool in parts of the works due to different absorption rates of the surface, cleverly embodying the progress of time. Although the scene remains the same, the people within have changed, with memories flowing in between like splendid colors that crystalize into different shapes, hoping viewers will find traces of themselves and their memories, resonating with the works.

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