非池中藝術網

My work is like an instant with both strong stimulation and lightness. And it boils down

to a sense of liberation and childishness.

The first thing I learned while choosing a task was the process of balancing what I had

to do with work. 2 square meters of balcony turned into a studio, and the room was

piled up with finished paintings. My work began dealing with what I had to do in the

room. When I was tired and tired of repeated actions, I headed to the balcony, and

worked with sleeping pants full of paint and stretched neck T-shirts. Unlike artist who

are determined and prepared to achieve something in the studio, worked in an instant-

like attitude just for the ventilation of the moment. I think that's the power to bring the

feeling of liberation into the canvas.

The most important factor that penetrates all my work is childish parables and humor.

The characteristic of my speech is to make the situation or atmosphere flexible by

mixing childish metaphors or humor. These childish metaphors and humor were

naturally used in creating images, not conversations. They appear as topics or elements

in the work and play a role in making the viewer feel comfortable and flexible.