非池中藝術網

黃品玲將繪畫視為一種能容納記憶與想像的容器。透過畫筆，她創造出能夠讓精神自由遊走的空間——那些不存在於現實地圖上的風景，卻在觀看與感受中，構築出一處處可以暫時安放自我的所在。這些畫面既是她的精神棲地，也邀請觀者一同進入，經歷自身的投射與共鳴。

作品〈柔軟之地 A Place to Soften〉便是這樣一幅描繪心理狀態的風景。畫面如同心靈的棲息地，輕柔的筆觸與溫潤的色彩交織成一種無形的安全感，宛如身體躺在世界上最柔軟的床鋪，內在最脆弱的部分被輕柔包覆。思緒在畫中一縷一縷地鬆開，化為柔和而寧靜的色彩。這幅作品不只是視覺上的風景，更是一種情感的體驗，是對於溫柔、放鬆與自我照顧的深層描繪。

Pinling HUANG regards painting as a vessel capable of holding both memory and imagination. Through her brush, she creates spaces where the spirit can roam freely—landscapes that may not exist on any physical map, yet offer places where one can momentarily rest the self through the act of viewing and feeling. These painted scenes are her own inner sanctuaries, while also extending an invitation to viewers to enter, to project themselves, and to resonate.

Her work 〈A Place to Soften〉 exemplifies this approach, portraying a psychological landscape. The composition resembles a resting place for the soul, where gentle brushstrokes and warm, tender hues weave an invisible sense of safety—like lying on the softest bed in the world, with one’s most fragile inner layers delicately held. Within the painting, thoughts gently unravel into soft and tranquil colors. This piece is not merely a visual scene, but an emotional experience—a deep depiction of tenderness, relaxation, and self-care.