非池中藝術網

《蒼穹》（Vault of Heaven）系列的靈感源自歐洲哥德式建築的穹頂。穹頂的半圓形造型象徵著向天堂的靠近——一條通往彼岸的通道，映照出當時人們對宇宙的理解與世界觀，並延伸至精神的維度。畫布本身作為承載的容器，因這樣的造型而生成了一道入口，得以通往另一個空間——精神的領域。

在這裡所描繪的風景，不僅是藝術家思索自身與世界、與周遭關係的方式，也是探索與這個時代、與整體世界的聯繫。

「當一件作品把我們引導進入它的世界，讓我們對一個非正面相對的空間產生連結的時候，它就已經超出了與畫框面對面的範圍，並從主體/客體的二元性中釋放出來。」——《重返風景》

作品 〈蒼穹–繁盛花園〉 將內在精神世界的豐盈，以宛如繁茂植物的意象具體化。那些層層交疊、靈動的筆觸，描繪著每一個躍動的思緒，如同在花園中綻放的一場盛宴。

The “Vault of Heaven” series draws inspiration from the domes of European Gothic architecture. The semicircular form of the dome symbolizes an approach toward heaven—a passage to the beyond—reflecting how people of that time understood the cosmos and their worldview, while also extending into the spiritual dimension. The canvas itself, as a vessel, takes on this form to generate an entryway, opening toward another realm—the domain of the spirit.

The landscapes depicted here are not only the artist’s way of contemplating her relationship with the world and her surroundings, but also an exploration of her connection with this era and the larger world as a whole.

“When a work guides us into its world and allows us to connect with a space that is not in direct opposition to us, it has already surpassed the limits of facing the picture plane, liberating itself from the duality of subject and object.” — Return to Landscape

In Vault of Heaven – Flourishing Garden, the richness of the inner spiritual world is given form through imagery akin to luxuriant plants. Layers of dynamic brushstrokes portray each vibrant thought, unfolding like a grand feast of blossoms within a garden.