非池中藝術網

〈吉普賽人的都市計畫－家3〉呈現出藝術家作為母親的生命現場。面對育兒與創作交織的日常，崔永嬿曾因多重身分而感到焦慮與混亂。然而在陪伴孩子的過程中，她逐漸明白，這一切其實從未分離。孩子的遊戲、生活的瑣碎，並非對創作的干擾，反而早已悄悄成為作品的一部分。這件作品如同一位新生的母親，在疲憊與豐足交錯中，重新整理羽翼、整裝待發的狀態。環繞的森林枝椏與兩隻飛鳥，是兩個生命的新生，一個是孩子的，一個是如同新生的母親，跟隨著孩子再次一起重新體驗到生命的單純、清新與美好。當重整好羽翅時，便能再次從森林中出發，面對自己的新生，展翅翱翔。

〈Urban Planning for Travellers-Home III〉 presents the lived reality of the artist as a mother. In the overlapping rhythms of childcare and creative work, Tsui Yung-Yen once felt overwhelmed by the conflicting demands of her multiple roles. Yet through time spent with her child, she gradually realized that these identities were never truly separate. The child's play and the fragments of daily life were not interruptions to her practice—they had already become part of the work itself. This piece embodies the state of a newly reborn mother: exhausted yet fulfilled, gathering strength, preparing to soar again. The surrounding branches of the forest and the two birds represent two intertwined rebirths—one of the child, and one of the mother, rediscovering life’s simplicity, clarity, and wonder through her child’s eyes. When her wings are once again ready, she lifts off from the forest, embracing her own renewal, and takes flight.