非池中藝術網

〈吉普賽人的都市計畫－家 1〉延續崔永嬿自《登月計畫》以來對「逃逸」與「想望」的辯證思考。她借用德勒茲「逃逸路線」的概念，將逃離視為一種意識的轉換——暫時抽離日常理性與角色負荷，進入一種短暫而純粹的精神棲居。在作品中，氣球化為承載夢想的容器，內部的枝幹化身為生命的森林，小屋如願景般棲息其上。那一縷金色梯子，彷彿邀請觀者一同攀登，進入理想中的「家」之想像。這不只是逃逸的隱喻，更是對於生活的深情凝視。作為創作者與母親，崔永嬿在孩子的陪伴中重新定義「家」：它是一處漂浮於現實與夢想之間的緩衝地帶，是讓想望得以棲息、成長，甚至再次啟航的所在。

The〈Urban Planning for Travellers：Home I〉continues Tsui Yung-Yen’s dialectical exploration of “escape” and “longing” that began with her《To the Moon Project》. Drawing from Gilles Deleuze’s notion of “lines of flight,” she interprets escape not as withdrawal, but as a shift in consciousness—a temporary suspension of rational, knowledge-bound roles in favor of a fleeting, spiritual refuge. In this work, the balloon becomes a vessel of dreams; the internal branches, a forest of life; and the miniature houses, aspirations resting gently upon them. A golden ladder dangles below, beckoning viewers to ascend into the imagined realm of “home.” This is not merely a metaphor for escape, but a tender reflection on life itself. As both artist and mother, Tsui redefines “home” through the lens of shared moments with her child: a space suspended between reality and dream, where longing may dwell, take root, and lift off once again toward new horizons.