非池中藝術網

氣球，是一種奇妙的象徵。它承載夢想，象徵著歡慶與輕盈的升起，卻也極需小心維護——在膨脹的張力中，始終潛藏著脆弱的可能。於崔永嬿的《吉普賽人的都市計畫》系列中，以氣球為載體，承裝著生活、夢境與想望。當她成為母親，也自然而然地成為一位守護者——無論飛得多高、走得多遠，總是會回來守護著她構築出來的家庭，努力維繫的家屋。即便守護守護不易，然而只要持續的夢想和構築，便能再度吹起一個又一個的想望。崔永嬿以詩意而堅韌的語彙，讓氣球成為母職與創作、夢想與現實之間的過渡，輕盈而有力地飛翔在兩者之間。

The balloon is a curious symbol—one that carries dreams, evokes celebration, and suggests lightness and ascent, yet always harbors a quiet fragility beneath its tension. In Tsui Yung-Yen’s The Gypsies’ Urban Plan series, the balloon becomes a vessel that holds life, dreams, and longing. With motherhood, she naturally takes on the role of a guardian—no matter how high she soars or how far she ventures, she always returns to protect the home she has built, the shelter she lovingly maintains. Though the act of guarding is never easy, as long as one continues to dream and to build, new hopes can always be breathed into being. Through poetic yet resilient language, Tsui transforms the balloon into a passage between motherhood and art, between longing and reality—a light yet powerful form that floats gracefully between the two.