楊証皓
CHENG-HAO YANG
關於
楊証皓，男，1994年出生，臺灣高雄市岡山區。臺灣藝術大學書畫藝術系造形藝術碩士；長榮大學書畫藝術學系學士。目前就讀臺灣藝術大學書畫藝術系博士。
2019 中山青年藝術獎，東方媒材，優選
2017 桃城美展，東方媒材，入選
2017 彩墨新人獎，東方媒材，入選
專長：工筆畫、膠彩畫、書法、篆刻
Cheng-Hao Yang, male, born in 1994, from Gangshan District, Kaohsiung City, Taiwan. Master's degree in Fine Arts, Department of Painting and Calligraphy, from National Taiwan University of Arts; Bachelor's degree in Fine Arts, Department of Painting and Calligraphy, from Chang Jung University. Currently pursuing a Ph.D. in Fine Arts, Department of Painting and Calligraphy, at National Taiwan University of Arts.
2019 Zhongshan Youth Art Award, Oriental media, honorable mention.
2017 Taocheng Art Exhibition, Oriental media, selected.
2017 Color Ink New Artist Award, Oriental media, selected.
Specialties: Gongbi painting, gouache painting, calligraphy, seal carving.
証皓擅長書法/水墨/膠彩繪畫，証皓的膠彩繪畫作品運用了天馬行空的想像，把機器人/神像/手印/青蛙/火焰/中國吉祥物…等衝突的物件，形塑成強烈個人IP，造型亦正亦邪，有凶狠有可愛呆萌，衝突下構成的畫面確又似乎相當合理，值得玩味，非常有趣，作品尺幅不大，色彩繽紛，很適合小型工作室，書房點亮心情，帶來好運！
証皓的小楷書法也堪稱一流，看到証皓的書法作品，很佩服他如此年輕，還願意天天練字求精進，時常聽証皓說練了這麼多年的字，真的有人願意收藏書法嗎？我們認為只要願意長期在藝術領域用功，累積實力的藝術創作著，我們就願意努力推薦，每個領域都會有愛好者，盡力幫優良藝術創作者媒合賞識的藏家，就是誠空間的工作了。
証皓的作品在@健城 高階掃描後，更可以看到証皓的書寫功力，細節掌握拿捏得宜，在年輕藝術家中，實屬相當難得。
Cheng Hao excels in calligraphy, ink painting, and mineral colour. His mineral colour showcase boundless imagination, incorporating conflicting objects such as robots, deities, handprints, frogs, flames, Chinese mascots, and more, shaping them into a strong personal intellectual property. The forms are both righteous and wicked, with a mix of fierceness and adorable charm. The compositions arising from these conflicts appear strangely reasonable, worthy of contemplation, and highly amusing. The artworks are not large in size but filled with vibrant colors, making them suitable for small studios or study rooms, illuminating the mood and bringing good luck.
Cheng Hao's small regular script calligraphy is also outstanding. Seeing his calligraphy works, one can't help but admire his dedication to daily practice and constant pursuit of excellence, especially considering his young age. Cheng Hao often wonders if there are people willing to collect calligraphy after practicing it for so many years. We believe that as long as one is willing to work hard and accumulate skills in the field of art over the long term, there will always be enthusiasts and collectors who appreciate their artwork. It is the mission of Sincere Art Gallery to do our best to connect outstanding artists with appreciative collectors in every field.
After being scanned by @EasiGraph, Zheng Hao's artworks reveal his exceptional calligraphic skills and adeptness in capturing details. Among young artists, his level of accomplishment is truly rare.
藝術家自述
楊証皓，臺灣高雄市岡山區。臺灣藝術大學書畫藝術系造形藝術碩士；長榮大學書畫藝術學系學士。目前就讀臺灣藝術大學書畫藝術系博士。
創作理念
筆者藉由挪用與寓意的手法將民間藝術當中的文化形式、中國傳統吉祥寓意之圖案，轉化為當今社會所符合的美感經驗圖像，使這些約定俗成的符號重新賦予時代語言；形式表現上，運用漫畫與重彩的方式來呈現，改變吉祥符號所慣用的形式或造形進行創作，使既定符號賦予全新意義，藉以傳達筆者自身人文意識形態與精神特徵，讓傳統符號更能貼近現代社會之情境。
民間藝術創造出許多經典符號，裏頭賦予的寓意與形式是當今較少人去創新發展的，筆者認為民間吉祥符號在當今藝術中，具有一定獨創性之發展，同時這些符號具有祈福、勸世與批判社會之功用。筆者運用挪用手法，藉以改變約定俗成的符號形式，使民間藝術中的既有形象加入個人巧思與創意，讓其傳統圖像能與當今社會美感有所連結以外，也可讓大眾更加理解民間藝術之內涵。
個人符號建立上，筆者以青蛙、機器人、佛像與火焰等元素作為個人符號。
機器人代表著人的肉身，隨著時間流逝而逐漸老去；而在機器人內部的青蛙,寓
意人的精神與生命是不斷昇華與延續發展，不受肉身所影響的。機器人身上的佛像與火焰，則是用來警惕自身對於慈悲心的修為以及消滅人世間一切煩惱。
透過不斷重複運用這些符號來建立個人風格，同時挪用民間藝術符號結合在形式中，藉以創造出符合自身精神之創作。
Artist Statement
Cheng-Hao Yang, from Gangshan District, Kaohsiung City, Taiwan. Master's degree in Fine Arts from National Taiwan University of Arts, Department of Painting and Calligraphy; Bachelor's degree in Fine Arts from Chang Jung University, Department of Painting and Calligraphy. Currently pursuing a Ph.D. in Fine Arts, Department of Painting and Calligraphy, at National Taiwan University of Arts.
Creative Philosophy
Through the technique of appropriation and symbolism, the artist transforms cultural forms and traditional auspicious patterns found in folk art into visual experiences that resonate with contemporary society. These well-established symbols are given new meanings within the context of the present time. In terms of artistic expression, the artist employs the use of comics and bold colors, deviating from the conventional forms of auspicious symbols to convey a fresh perspective and convey the artist's own humanistic ideology and spiritual characteristics. This approach allows traditional symbols to connect more closely with the modern social context.
Folk art has created numerous iconic symbols, imbued with meanings and forms that are not often innovatively developed in contemporary art. The artist believes that folk auspicious symbols have the potential for original development in today's art world. These symbols serve functions of blessing, moral guidance, and social criticism. Through the technique of appropriation, the artist transforms the established forms of folk art symbols, injecting personal ingenuity and creativity, so that the traditional imagery can be linked to contemporary aesthetic sensibilities and enable a deeper understanding of the essence of folk art by the public.
Regarding personal symbol establishment, the artist uses elements such as frogs, robots, Buddha statues, and flames as personal symbols. The robot represents the physical body of human beings, aging gradually with the passage of time. The frog within the robot symbolizes the continuous sublimation and development of the human spirit and life, unaffected by the physical body. The Buddha statues and flames on the robot serve as reminders to cultivate compassion and eliminate all worldly afflictions.
By repeatedly using these symbols to establish a personal style and combining them with folk art symbols in their artistic forms, the artist aims to create artworks that align with their own spiritual journey.
2023誠空間合作藝術家聯展 臺灣。台北
2022 OneOffs NFT 國際藝術博覽會，台北W飯店
2022 三宅一身，研究生聯展，蕙風堂
2021 新主義，雲心書會書法聯展，中正紀念堂，台北
2020 文化．異置‐楊証皓繪畫創作展，國立臺灣藝術大學，台北
2020 墨之呼吸，臺藝大研究生聯展，引目空間
2020 三宅一身，研究生聯展，蕙風堂