羅伯・包曼（沃爾登，荷蘭， 1981
Rob Bouwman（Woerden, NL, 1981）
關於
【獲獎】
荷蘭皇家藝術獎提名（2013,2014,2016）
蒙德里安基金特別工作補助金（2015,2016）
Sebastian Fath|Contemporary（曼海姆，德國）
【收藏】
荷蘭內政部，外交部，歐洲、美國各企業和私人收藏
【創作歷程】
羅伯・包曼 (沃爾登, 1981) 曾多次獲得荷蘭皇家藝術獎提名(2013,2014,2016)。 2015年，他獲得了蒙德里安基金的特別工作補助金（2015,2016），以進一步發展他的創作。他的作品被荷蘭內政部和外交部以及歐洲和美國國內外的各種企業和私人收藏。他最近在曼海姆（德國）Sebastian Fath Contemporary 舉辦的展覽取得了巨大成功。25件作品中，有20件立即獲得幾位重要私人藏家的收藏；當地最大的報紙《萊茵法爾茨報》(Die Rheinpfalz) 寫了一篇報導，題為「我是仙境」。他在荷蘭弗蘭克莫爾研究所學習碩士課程，並在紐約市亨特學院進行了多次交流。正是從那裡，他發展了自己的創作，以及對繪畫和當代抽象主義的品味。
羅伯・包曼在厚紙上用油畫顏料繪製半透明圖案， 這些圖案由基於單一結晶繪畫筆觸想像的各種繪畫動作組成。多年來，作為圖像和動作的繪畫筆觸一直是他工作的起點。他的圖像在光的氛圍印象和空間幻覺之間創造了一種張力，完全立基於透明表面的圖案與半透明的顏料本身。雖然我們的觀看方式變得越來越匆忙，並受到我們周圍許多數位媒體使用的影響，但繪畫需要不同的東西——時間性的另一個概念，存在和持續的概念——包曼通過他的抽象意象所傳達的概念；人們可能會懷疑第一眼看到這幅作品的印象是否正確。
Rob Bouwman (Woerden ,1981) has been nominated many times for the Royal Prize for Painting in the Netherlands. In 2015 he was able to receive a special work grant from the Mondriaan Fund as a young talent to further develop his work. His work is in the collection of the Dutch Ministry of Internal and Foreign Affairs as in various corporate and private collections in Europe and the USA. His most recent exhibition at Sebastian Fath Contemporary in Mannheim (DE) was a resounding success. Out of 25 works, 20 were immediately sold to several important pritaxe collections. Next to that the largest local newspaper Die Rheinpfalz wrote a laudatory article under the title; Im Wunderland. He studied at the Frank Mohr Institute, a Masters program in the Netherlands and did several exchanges at Hunter College in New York City. It is from there where he developed his work and his taste for painting and Contemporary Abstraction.
The works of Rob Bouwman consist of translucent patterns painted in color with oil paint on thick sheets of paper. The patterns consist of various painterly actions based on the imagination of a single crystallized paint stroke. The paint stroke as an image and as an action has been the starting point of his work for many years. His images create a tension between atmospheric impressions of light and the spatial illusion produced solely by the material nature of translucent colors and patterns on a clear surface. While our way of seeing becomes increasingly rushed and influenced by the use of the many digital media around us, painting demands something different. Another concept of temporality, a concept of being and duration. A concept that Bouwman represents through his abstract imagery, and one can wonder if that first momentary glance at the work is the right one.