小松孝英
Takahide KOMATSU
關於
他作品的主題大多是圍繞生態系統的變化，靈感則來自於他出生和長大的故鄉九州宮崎的山野風景。
小松孝英通過使用丙烯顏料和金屬葉繪製各種生物的創作方式來令人印象深刻，從而更好地表現主題。通過在同一張畫布上來繪製外來生物和本地生物，或者有時是在不同的畫布上分別繪製的方式來向大家傳遞這種環境變化的信息。
此外，正如他所說的『傳統很優秀，現代也很優秀』這句話，小松孝英將從江戶時代延續至今的傳統琳派畫風和現代的丙烯顏料作畫方式結合起來創作，使得傳統與革新能通過一張畫表現出來。
近年來，他也致力於抽象作品的創作，以此來表現山野鄉村裡慢慢腐朽老化的人造物體。
小松孝英不僅只是一位藝術家，而是活躍於各個領域。最近，他以電影導演的身分出道，製作了一部與台灣有著深厚淵源的日本已故畫家的紀錄片『鹽月桃甫』。
His theme is the changing ecosystem, inspired from the ”satoyama” of his homeland, Miyazaki, Kyusyu.
He expresses that more impressively with various small creatures, using acrylic on the leaf. He tells the changing environment by painting foreign and native species, sometimes together on canvas and sometimes divided. And the Rinpa school style, an old painting method using the leaf from the Edo era, shows the Japanese tradition, and the modern acrylic tells the innovation, according to his words “Well traditionally and well contemporarily.”
Recently, he started to paint abstract works keeping his style above. They show the decaying artificial object in the satoyama landscape.
Not only as an artist, but he is also active in other fields. He recently made a debut as a movie director. The documentary movie "TOHO Shiotsuki" is his first work that focuses on an old Japanese artist who has a deep relation with Taiwan.