木頭、金屬、針織物、陶瓷等傳統材料、技術，將回歸當代藝術！

曾經被定義爲傳統、守舊而被“流放”至邊緣的傳統材料和技術，將在2025年繼續被重視。這或許與AI圖像生成技術的突飛猛進後，反而再次喚起人們視覺意識中，對藝術品物性特質和觸感美學的重新重視有關。

這次日升月鴻畫廊 Ever Harvest Art Gallery，特別以朱銘、徐永旭、李在孝和朴勝模 4 位當代藝術家的作品，以敏銳的直覺，顛覆木頭、陶土金屬等材質的傳統印象，讓堅實與輕盈並存，結構與流動交融，透過反覆的解構與重構，形塑獨特的視覺張力。傳統材料和技術，並為它們注入當代意義，連接過去和現在，將更多樣化地出現在當代藝術的文化體驗中。

Wood, metal, textiles, ceramics—traditional materials and techniques—are returning to contemporary art!

Once labeled as traditional and conservative, even “exiled” to the margins, these materials and methods are regaining recognition in 2025. Perhaps this resurgence relates to the rapid rise of AI-generated imagery, which has, in turn, reawakened a visual consciousness and renewed appreciation for the physicality and tactile aesthetics of art.

This time, Ever 日升月鴻畫廊 Ever Harvest Art Gallery features works by four contemporary artists—Ju Ming, Hsu Yunghsu, Lee Jae-Hyo, and Park Seung-Mo—who, with sharp intuition, subvert the conventional impressions of materials like wood, clay, and metal. Solidity meets lightness; structure intertwines with fluidity. Through repeated deconstruction and reconstruction, the works shape a distinctive visual tension. Traditional materials and techniques are infused with contemporary significance, bridging the past and the present, and enriching the cultural experience of contemporary art in more diverse forms.

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日升月鴻畫廊