自牧文化非常榮幸向各位藝人謝承承的《藍圖輯》。

《藍圖輯》啟發自螢光的光與影，它不僅是一本關於藍色與負光空間的圖集，也是藝術家十年創作藍圖的集合。

本書收錄 40 件系列創作圖像紀錄、評論專文、創作筆記《方法集》以及螢光油墨印製的紙上作品《螢火》系列。此外，亦同步推出限量收藏版本，以可自由組裝的方式，將過往大型作品的原件與概念，轉化爲創作收藏的展示空間。

專文部分特邀三位作者撰文：

影像研究／創作者許鈞宜透過對謝佑承創作歷程的細緻分析，探討影像作為一種「生成的等待」狀態，如何在手工勞動、視覺錯視與技術模擬之間展開。

桃園市立美術館展覽組組長賴志婷從館方角度，分享《有燭火的靜物》委託創作始末，討論融合藝術思辨與兒童感知的可能性。

國際藝評人協會台灣分會理事長陳晞則聚焦謝佑承如何以錯置、感知操演等方式質疑技術與觀看體制，提出對媒介、觀看與酷異視角的批判。

ZIMU CULTURE is honored to present "A Catalog in Blue" by artist Hsieh Yu-Cheng.

"A Catalog in Blue" is inspired by the light and shadow of fluorescence. More than just a collection of blue-toned and negative light-space visuals, it is a blueprint that brings together a decade of the artist’s creative journey.

This book features visual documentation of 40 works, critical essays, working notes titled "Method", and the "Firefly" series — printed works made with fluorescent ink. A limited-release collector’s edition is also available, offering a modular format that reimagines components and concepts from the artist’s past large-scale works as a displayable art object.

The volume features three specially commissioned essays:

Researcher/artist Hsu Chun-Yi offers an in-depth analysis of Hsieh’s practice, framing the image as a state of “waiting for becoming” shaped by manual labor, optical illusion, and technological mimicry.

Lai Chih-Ting, Chief of the Exhibition Department at Taoyuan Museum of Fine Arts, shares curatorial insights into the commissioned work "Still Life with Candles", examining how the piece bridges artistic inquiry with children’s sensory perception.

Lastly, Sid Chen, president of AICA Taiwan, explores Hsieh’s use of perceptual displacements and media interventions to question systems of viewing and technology, proposing a critique grounded in queer perspectives and media politics.

REFERENCE

完整書訊