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采泥藝術

【歲月.故事—鐘俊雄個展 】 Years.Stories.CHUNG Chun-Hsiung

  • 展期

    日期:2020-01-30 ~ 2020-03-15

  • 地點

    台北市敬業一路128巷48號1樓

  • 參展藝術家

    鐘俊雄

  • 歲月.故事—鐘俊雄個展
    Years.Stories.CHUNG Chun-Hsiung
    2020.01.30—03.15

    采泥藝術
    Chini Gallery, Taipei

    策展人Curator:蕭瓊瑞 HSIAO Chong-Ray
    開幕Opening:2020.02.09 16:30

    講座I ForumI:2020.02.09 15:00
    黃河 「從鐘俊雄看華人抽象藝術的發展」

    講座II ForumII:2020.02.23 15:00
    蕭瓊瑞 HSIAO Chong-Ray x 鐘俊雄 CHUNG Chun-Hsiung 「歲月‧故事」



    「歲月.故事.鐘俊雄」為台灣資深藝術家鐘俊雄於采泥藝術舉辦的新春大展,由台灣知名藝術史家蕭瓊瑞擔任策展人。鐘俊雄(1939-),是被喻為台灣現代繪畫導師李仲生自台北南下彰化員林之後的第一批門生,他隨即受邀為「東方畫會」及「現代版畫會」的成員,共同推動戰後台灣1960年代最重要的現代繪畫運動。在1980年代,李氏的後期學生組成「現代眼畫會」,他也是重要的支持者,一手創作、一手寫評論,成為推動、延續大台中地區現代藝術的重要領導者,影響許多後進藝術家。

    鐘俊雄的創作多元變化,時而水墨、時而油彩、時而拼貼、時而肌理,具實驗精神又富童稚趣味,他透過書法的筆捺、對稱的廟宇大門、剪紙技藝、過年節慶的意象等等尋找靈感,這些意象來自台灣土地記憶以及視覺色彩感受,用色雅致卻不張揚。鐘俊雄的藝術養分除了來自米羅、柯爾達之外,又加入了禪宗或佛學的理念與台灣鄉下的生活經驗,反思文化根源、生活感受以及如何在內容上的突破創新,作品在西方現代藝術的造型基礎上,結合東方用色與水墨技法,形塑其獨樹一格的抽象畫風。近期新作加入了更多的墨韻,透過形、色、黑、白的自由安排,構圖在揮灑中顯穩健,配色則從過往的豐富紛呈轉向內斂,作品帶有單純、童真的樸實溫暖,以平易近人的方式傳遞給觀眾。歲月只豐富了他的生命故事,未滅損他對生命歡唱的熱忱,本展希冀透過這些新作的展呈,賦予鐘俊雄創作思維全新詮釋的觀賞視角,端視台灣這位備受敬重的前輩藝術家,儘管已年過八十,仍以每天孜孜矻矻的創作,為其藝術生涯開創另一全新篇章。

    For this coming Chinese New Year, Chini Gallery is pleased to present Years.Stories.CHUNG Chun-Hsiung, a solo exhibition featuring established and esteemed Taiwanese artist Chung Chun-Hsiang, curated by renowned Taiwanese art historian Hsiao Chong-Ray. Chung Chun-Hsiung (1939-) was one of the first group of students taught by Li Chun-Shan after the art master moved from Taipei to Changhua’s Yuanlin. He was soon invited to join Ton Fan Art Group and Modern Printmaking Association, both of which were the forces behind the most crucial modern painting movement in post-war Taiwan in the 1960s. In the 1980s, Li’s students from his later years founded Modern Eye Painting Association, for which Chung was an important supporter. Being both an artist and art critic, Chung is a pioneering figure in leading and advocating the modern art movement in the great Taichung region, whose influence has touched many later artists.

    Chung’s work, ranging from ink, oil, collage to pure expression of texture, is diverse and multifaceted, displaying experimental qualities and child-like innocence. He finds his inspiration from calligraphic brushstrokes, symmetric temple gates, paper-cutting craft and festive imageries, which originate from native memories and colorful visual characterisitic of Taiwan; moreover, he expresses them through an elegantly refined and reserved palette. He also learns from Western art masters, such as Joan Miró and Alexander Calder, and incorporates Zen and Buddhist concepts as well as his experience of living in Taiwanese countryside into his work to reflect his cultural root, express his feelings about life and seek innovative breakthroughs in his creative content. He builds upon the formal foundation of Western modern art and combines Eastern colors and inking skills to formulate his unique abstract style. In his recent works, Chung adds more attributes and allure of ink painting. With the free arrangement of form, color, black and white, his composition seems unrestrained yet steady whereas the palette changes from being brightly colored to understated, conveying a sense of simple warmth informed by child-like innocence while capturing viewers’ attention in an approachable manner. The passing years have only enriched his life stories without diminishing his great zest for life. Chini Gallery hopes that this exhibition of the artist’s new works provides a fresh perspective to interpret and re-examine this highly respected artist. Though already in his eighties, the artist still works diligently and steadfastly to unfold a new chapter of his creative career.

采泥藝術歲月.故事鐘俊雄chini

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