聯繫畫廊
作品敘述
《圓融的木蘭（四）》是揚・馬丁・沃斯奎爾的最新畫作之一。 漸變的使用最初是嘗試透過繪畫手段來暗示空間。 透過將這一點應用到他已經擁有具體空間的作品中，他意圖實現雙重視角和深不可測的深度。 然而，最讓他高興的並不是正式的實驗，而是結果讓人聯想到花朵中生動呈現的色彩漸層。 意想不到的效果，但偶然的發現往往是最美麗的。
Pointless Magnolia IV is one of Jan Maarten Voskuil's most recent paintings. The use of gradients was initially an attempt to suggest space by painterly means. By applying this to his work, which already possesses concrete space, he intended a double perspective and unfathomable depth. What pleased him most, however, was not the formal experiment, but the result that was reminiscent of the gradient of color as it is vividly present in flowers. An unintended effect, but chance findings are often the most beautiful.