關於
邱昭財生於台灣苗栗(1977),畢業於台北藝術大學美術創作碩士班,現居住於台北。
專長為互動裝置。以「互動」作為創作發展的主要概念,將類同於玩具的互動機制置入作品,經由觀眾主體的介入來觸動開啟作品的動態,在互動、對應的歷程中,作品構型的樣貌不斷變動,跳脫了實體恆定的狀態,聲、動、時空變化的作品情狀,觀者因而得到即時的回饋。
期望藉由互動機制的置入,讓觀者與作品的關係更為直接、貼近,並在此當下獲得片刻的現實跳脫與解放,自成一滿足且相互融合的「玩具情境」— 以此作為一種對於互動、操玩狀態的描述,意即:觀者主體在操玩的當下,能滿足其操縱、掌控的欲望,能得到片刻的現實跳脫、解放,並能自成一滿足且相互融合的情境狀態。
個展發表為疲軟的逆襲(2012)、疲軟世界(2009)、重力物園(2004),重要聯展有『後民國』(2011)、『記憶的總和』關渡雙年展』(2010)、『秘密後花園』(2009)、『講.述』─海峽兩岸當代藝術展(2009)、『泡沫紅茶』台灣藝術.當代演繹(2008)…等等。
Chiu Chao-Tsai was born in Miaoli, Taiwan in 1977. He obtained his M. F. A. degree from Taipei National University of the Arts. Chiu currently lives and works in Taipei.
Chiu's work focuses on interactive mechanism. He considers 'interaction' as the core concept. An interactive mechanism is embedded in the work, and through the involvement of its audience, the structure of the work deviates from its usual rigid form and becomes dynamic and ever-changing , providing the audience an instant feedback. Chiu hopes that the mechanism will create a more reciprocal relationship between the work and its audience and thus the latter gains a sense of release from reality, or more, to fulfill one's desire to manipulate and control.
Chiu's solo exhibitions include The Counterattack of Fatigue at National Central University Art Center, Zhongli ,2102; The World of Fatigue at VT Artsalon, Taipei, 2009; The Object Park of Gravity at Hong-Gah Museum, Taipei, 2004. The group exhibitions include Republic without People at Kaohsiung Museum of Fine Arts, Kaohsiung , 2011; Memories and Beyond- Kuandu Biennale at Kuandu Museum of Fine Arts,Taipei, 2010;Dream in a contemporary Secret Garden at Chelsea Art Museum / Taipei Cultural Center of TECO in New York, New York, 2009; Speak-Describe - Cross-Strait Contemporary Art at National Taiwan Museum of Fine Arts, Taichung, 2009; Bubble Tea -Art of Taiwan and Its Contemporary Mutations at Moravian Gallery, Brno,Czech, 2008, and etc.