非池中藝術網

一頭愜意趴坐於絲絨沙發的老虎，目光閃現慧黠，與觀者雙眸對視著，形成動物與人之間的交流紐帶，開闊無限的揣摩空間。獵物先天紅色盲的性連遺傳，使橙紅色的老虎得已隱身於叢林間，利於伏擊掠食，唯畫中偽裝色卻慢慢消融於場景，而前景植物與背景工筆繪花的巧妙對比，再再暗示牠與自然隔絕的脫野狀態，亦回應隨人類高度開發以致自然生態失衡現象。動物對於白田誉主也而言並不僅是寫生，也被同時投射為自身與他者，兼備了自畫像與社會觀察的雙重性質。當畫中的主角立場反覆切換，藝術家也在這當中檢視著不同立場間的異同，提供給觀畫者們一個思考、沉澱的機會。

Relaxing on the sofa is a tiger with eyes glittering with wisdom, its vision locking into the viewer's gaze, inspiring boundless reflection. The protanopia of the tiger’s prey allows the orange tiger to camouflage in the forest, giving it the advantage to pounce. However, the camouflage in the image is fading, and the plants on the forefront form a sharp contrast with the Gongbi flowers in the background, conveying its disconnection with nature, which also reflects how nature has become imbalanced due to the over-development of human beings. For Yoshuya Hakuta, portraying animals is more than an act of life drawing, but it also reflects the self and others; therefore, the works have the duo quality of being self-portraits and portrayals of social observation. As the main character in the painting repeatedly shifts its position, the artist also inspects the differences and similarities between the varying positions, providing a chance for viewers to reflect and contemplate.