ART TAIPEI 台北國際藝術博覽會

關於

崔永嬿1972年出生於新北市，台北藝術大學美術研究所畢業，是一位橫跨繪畫、雕塑以及公共藝術的全方位藝術家，也是台灣少數擅長以金屬雕塑創作型態的女性藝術家。 在2006年接獲台北故宮「舊即是新」（Old Is New）計劃委託，藉由史料爬梳，崔永嬿試圖結合故宮館藏器物與相關歷史人物脈絡，從傳統雜耍兒造型創作出一個虛構的《蹬蹬腳尖兒馬戲團》的基本素材，逐步發展出《隱身術》(2008-2014)、《孤獨紀念碑》(2014-2020)、《淺灘》(2020)、《So What If》(2021)、《登月計畫》(2022)等系列作品，將其對於人 心、社會、生態的觀察，以及自我生命經驗的回應，以一貫幽默、詼諧、自嘲的表現方式，呈現了面對外在環境變化及內在的某種對應，轉譯至當代雕塑美學的範疇中。

Born in New Taipei City in 1972, Yung-Yen TSUI is a multidisciplinary artist who spans the fields of painting, sculpture, and public art. She is also one of the few female artists in Taiwan who excels in metal sculpture. In 2006, TSUI was commissioned by the National Palace Museum in Taipei for the “Old Is New” project. Through researching historical records, she attempted to integrate the museum‘s collection of artifacts with related historical contexts. From the traditional acrobatic figure, she created the foundational material for the fictitious “The Circus of Den-Den-Ciao-Jean”. This led to the development of series such as “The Silent Show” (2008-2014), “Monument of Solitude” (2014-2020),“Shallow” (2020), “So What If” (2021), and “To the Moon” (2022). These works present her observations on human nature, society, and ecology, as well as insights from her own life experiences, using a consistent expression that is humorous, witty, and self-deprecating. They reflect her response to external environmental changes and internal transformations, translating them into the aesthetic realm of contemporary sculpture.