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非池中藝術網

就在藝術空間

【「爛石與枯海」歐靜雲、彭禹慈、陳俊宇三人展】

  • 展期

    日期:2020-07-05 ~ 2020-08-22

  • 地點

    10658 台北市大安區信義路三段 147 巷 45 弄 2 號一樓

  • 策展人: 陳松志
    展期: 7/ 25/ 2020-8/ 22/ 2020
    開展: 7/ 25(六) 15:00
    陳俊宇行為表演:(展期每週六)7/25、8/01、8/08、8/15、8/22 11:00-19:00
    展覽地點: 就在藝術空間 (10658 台北市大安區信義路三段 147 巷 45 弄 2 號一樓)

    *因應新型冠狀病毒肺炎疫情,請大家參觀前自行手部消毒。有發燒感冒症狀請勿入館。謝謝配合!*

    *Please scroll down for English*

    *Due to the current outbreak of COVID-19 (Coronavirus) disease, please use the alcohol solution at the entrance to sanitize your hands before entering the gallery. Visitors who have a fever or other symptoms of the disease, please do not enter the gallery.*

    就在藝術空間很榮幸於7月份推出由陳松志策劃的聯展「爛石與枯海」,展出三位年輕藝術家全新作品:兩位繪畫藝術家歐靜雲與彭禹慈和行為藝術家陳俊宇。三位藝術家皆為出生於90年代,並在國立台北藝術大學就學;具有獨特的風格,透過他們的創作和思考,此次展覽探索了新一代藝術家如何參與並重新詮釋當下,反應自然環境,歷史,感性和身份認同。展覽將於7月25日(週六)開幕。
    值得一提的是,在展覽期間的每個週六陳俊宇將在展場進行8小時不間斷的行為表演。

    展覽簡介
    文/陳松志(藝術家、國立彰化師範大學美術系兼任助理教授)

    「爛石與枯海」取其文學敘事中「海枯石爛」一詞之於永恆、觸不可及的雙關喻意,透過字詞的反置倒述,作為外部現象與實質精神在直觀(intuition)意義上岐見的闡釋與思考進行題引。在這個命題下,同步暗示著人與物質世界一段共生、干預的歷程並共時見證毀滅的更新週期。展覽中三位年輕藝術家歐靜雲、彭禹慈、陳俊宇在實體上、心理上從個人的創作思路,觸引出數媒世界帶給身體的幻失與意識騷擾,以及後全球化時代中人性面對時空、環境、歷史的審慎題解。藝術家以新鮮的生活感把刻板的文化意識、符號系統進行鬆動瓦解,在過往及當代的審思中激起感性身體存續的意義與提問。他們穿梭在古典與當代的邊界中,在可現的視覺中予以媒材實驗、形式重組以及概念變革,創造出饒富新意的繪畫、雕塑以及行為作品,藉此找出自我的表達路線,並異質同聲地實踐在歸返人文精神的道路上。

    很榮幸獲得恆成紙業贊助陳俊宇的行為藝術作品「_USED TO」:https://www.facebook.com/auspicpaper/

    'Obliteration'
    An Exhibition of OU Jing-Yun, PENG Yu-Tzu and CHEN Jun-Yu
    Curated by Chen Sung-Chih
    Dates: 25 July – 22 August 2020
    Opening: 25 July at 3pm
    Chen Jun-Yu Performance: Exhibition period every Saturday: 7/25, 8/01, 8/08, 8/15, 8/22 11am-7pm
    Venue: Project Fulfill Art Space (1F., No. 2, Alley 45, Lane 147, Sec. 3, Sinyi Rd., Taipei 10658)

    Project Fulfill Art Space is pleased to invite Chen Sung-Chih as curator for the group exhibition ‘Obliteration’, featuring three young Taiwanese contemporary artists: painters Ou Jing-Yun and Peng Yu-Tzu and performance artist Chen Jun-Yu. All three artists were born in the 1990s and received their artistic training at the National Taipei University of Arts; although each possessing uniquely distinct styles, through their creative practices and conceptual discourse, the exhibition explores how a new generation of artists engage and reinterpret a new era, responding to the natural environment, historical legacy, sensibility and identity. The exhibition opens on Saturday 25 July, particularly worth noting is every Saturday during the exhibition period, Chen Jun-Yu will perform his 8-hour non-stop performance in the gallery.

    Exhibition Introduction
    Text / Chen Sung-Chih (Artist and Adjunct Assistant Professor, Department of Fine arts, National Changhua University of Education)
    Translated by Wang Sheng-Chih

    'Obliteration', the title of this exhibition, owes its inspiration to the idiom “the seas run dry and the rocks crumble” which subtly implies eternity and unreachability. Reversing the sequence of the idiom, this exhibition starts by explicating and contemplating the intuitively observed differences between external phenomena and internal spirit. This proposition suggests a symbiotic relationship and mutual intervention between humanity and the material world, while witnessing a new cycle that begins with destruction. Treating their creative thinking as the point of departure, the three artists in this exhibition: Ou Jing-Yun, Peng Yu-Tzu and Chen Jun-Yu meticulously address the questions as to how digital media alters the consciousness and causes us to hallucinate, and how humanity can respond to space, time, the environment, and history in the era of post-globalization. Our co-existence with a myriad of entities drift within a turbulent space and time, accelerating the process of our birth and death, but also galvanizes us to transcend the confines of our pure intuition. A common thread in the three artists’ works is the exploration of the corporeal schemata defecting from politics, adeptly examining the inner tension between visual and psychological dynamics. Encompassing the classical and the contemporary, the artists experiment with media, reconfigure forms, and revolutionize concepts, hence their innovative works, where they evolved their distinctive styles.

就在藝術空間陳松志歐靜雲彭禹慈陳俊宇

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