《洋洋灑灑》ART TAIPEI 2020 阿波羅畫廊

展期：2020.10.23 - 26 *購票資訊請上ART TAIPEI官網查詢
預展：2020.10.22 *請憑邀請卡入場
參展藝術家：陳進、郭雪湖、劉耕谷、洛貞、葉東進、Mario Weinberg、黃法誠、黃郁筑
展位：C05 阿波羅畫廊 x M07(MIT)

「洋洋灑灑」通常形容文章豐富或談話流暢，且連續不斷。試想將它運用在藝術創作上，是否能貼切地將藝術家揮灑自如，且作品綿延不絕的畫面勾勒出來呢？

日治時期即聞名於臺展，並有「臺展三少年」之稱的陳進及郭雪湖，是膠彩畫的先鋒。他們將傳統東洋技法及現代風格巧妙的結合在一起。這次展出陳進細膩的「蘭花」、大氣的「幽谷」及郭雪湖五零年代的「蘭花」以及後來以華盛頓街景為主題的「城市秋日」。

曾經與兩位膠彩前輩在阿波羅畫廊1987年「膠彩畫大展」共同展出的劉耕谷，以氣勢逼人的巨型膠彩畫作震驚藝壇。他的「鼻頭角夜濤」，使用交叉斜角構圖法，描寫東北角礁岩風光。「自然」以及「清音系列」以極簡的造型及脫俗的色彩呈現花卉及靜物。

早於1984年首次以抽象表現主義在阿波羅畫廊舉辦個展的洛貞，近年來藉墨為媒，紙代畫布，透過線條呈現出張力十足的畫面，這次將展出她的彩墨「游移」及銅雕作品。

葉東進透過在畫紙上色彩層層的堆疊，呈現出特殊質感。「無所來去」為近期完成的系列，依然以風景為主題。

德國藝術家Mario Weinberg結合平塗、厚塗、徒手、塗鴉等手法，搭配多種媒材及繽紛色彩，完成令人耳目一新的作品。

「構圖•臺灣」首獎得主黃法誠，將發表「放生池」系列，從放生池中仿中國庭園式的假山造景的觀察發想，加入了人造物或是人的姿態，則為當下時刻社會或心態上的隱喻。

首次在台北藝博嶄露頭角的黃郁筑，以麻紙、墨、水性及礦物顏料，嘗試結合無數的微密碎點，呈現出一片片色塊，呈現出表達生活、欲求和思想的《夜》以及一人獨處後有感而發的《社交距離》。

2020年Art Taipei阿波羅畫廊以「洋洋灑灑」為策展主題，介紹八位不同世代的藝術家，企圖讓觀者循著洋洋灑灑的歷史脈絡，拓展觀點以及藝術賞析視野。

MIT新人特區展位 M07
擁有維也納藝術學院展演藝術及雕塑系碩士的陳庭榕透過「複製」以及「重置」文化產業的人工物及其與人的關係，探問意識形態在全球化、戀物、移動性社會、後網路時代中的呈相與轉型。這次將展出三組作品：抽象的樣版、迴圈及Rpm。


"Yang Yang Sa Sa" : Voluminous and magnificent
This Chinese phase usually describes dialogues or conversations that are unbroken and abundant. If applied to artistic creativity, how can it be used to elaborate an artist’s expression? For this year’s Art Taipei, Apollo Art Gallery will showcase 8 artists across varying generations. With the theme of “Yang Yang Sa Sa,” Apollo hopes to both immerse viewers in the richness of Taiwan art through the ages as well as expand the minds of viewers with new perspectives and horizons.

Chen Chin and Kuo Hsueh-Hu, known as two of "Three Teens of Taiwan Art Exhibition”, have been hugely renowned since the time of the Japanese occupation. Their floral and landscape paintings combine traditional Oriental techniques and modern styles. In this exhibition, we are exhibiting Chen Chin's exquisite floral painting "Orchid” and the magnificent “Glen” landscape. Kuo Hsueh-Hu’s “Orchid,” circa the 1950s, as well as his "Autumn in Washington,” showcasing a street view of Washington D.C., will also be shown.

Liu Gung-Gu, who once exhibited as part of a group exhibition at Apollo Art Gallery in 1987, burst onto the scene shocking the art world with enormous Eastern Gouache paintings. His “Night “Waves at the Cape” uses a large oblique angle as its composition to describe the reef rock scenery of the Northeastern Coast of Taiwan. Liu’s exquisite flowers and still life will also be available.

Lo Tsen, who had a solo exhibition at the Apollo Art Gallery for the first time in 1984, returns after years of enriched life experiences abroad. Her growing creativity enables her to use ink as medium and rice paper instead of canvas, creating tension in her usage of abstract expressionism. This time, painted works such as “Wander,” “Embrace,” and “Constant” and bronze sculptures "Pretty" and "Charming" will be exhibited.

Yeh Tung-Jinn uses layers of oil pastels to create special textures on screens. “Tathagata” is the title of Yeh Tung-Jinn’s recently completed series., with the mountain remaining the theme of his paintings.

German artist Mario Weinberg specialises in combining flat coating, freehand, abstraction, graffiti and other additional techniques to express himself. This time, he brings new multimedia works, each refreshing and exciting in its own way.

Huang Fa-Cheng, the winner of the first "Go-To Taiwan Art Award", presents his series "Free life pond.” The series represents the artist’s perspective on society, using the influence of Chinese pond-landscaping combined with traces of man to reflect on the mentalities of mankind.

The emerging artist Huang Yu-Chu will join Art Taipei for the first time. Huang’s “Social Distancing” series - created using hemp paper, ink, water-based and mineral pigments - expresses the lifestyles, desires, and thoughts of being alone through complex and layers patches of color.

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MIT Newcomer Special Exhibit M07
Chen Ting-Rong graduated from the Academy of Fine Arts in Vienna with a master’s degree in Performance Art and Sculpture. Using replication and replacement as themes, Chen’s works utilise artefacts of the cultural industry and explores their relationships with people. He explores concepts such as the transformation of globalisation as an ideology, fetishism, and society in a mobile and post-Internet era. He presents 3 works for Art Taipei: Cloud Shepherds, the Circuit series, and RPM.