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節點藝術空間

【禽獸不如 — 2020台灣美術雙年展 平行展】後人間世 Post-Anthropocene

  • 展期

    日期:2020-10-17 ~ 2020-12-14

  • 地點

    台南市永福路二段84號,永福國小旁

  • 參展藝術家

    張根耀 Ken-Yao CHANG(台灣) 陳漢聲 Heng-Sheng CHEN(台灣) 何兆南 South HO (香港) 羅家南 Bosco LAW Ka-Nam (香港) 李嘉瑩 Kit LEE(澳門) 林盈潔 Yin-Chieh LIN(台灣) 劉星佑 Sing-You LIU(台灣) 彭一航 Yi-Hang PENG(台灣) 彭奕軒 Yi-Hsuan PENG(台灣) 冼朗兒 Stephanie SIN (香港) 曾家偉 Eason TSANG Ka Wai (香港) 王思遨 Nicole W

  • 禽獸不如 — 2020台灣美術雙年展 平行展
    後人間世 Post-Anthropocene
    展覽時間:2020/10/17 – 2020/12/14
    開幕茶會:2020/10/18(日) PM15:00
    策展人
    陳子澂(香港)André CHAN、黃又文(台灣)‭ ‬Erica Yu-Wen HUANG
    展出藝術家:
    張根耀 Ken-Yao CHANG(台灣)
    陳漢聲 Heng-Sheng CHEN(台灣)
    何兆南 South HO (香港)
    羅家南 Bosco LAW Ka-Nam (香港)
    李嘉瑩 Kit LEE(澳門)
    林盈潔 Yin-Chieh LIN(台灣)
    劉星佑 Sing-You LIU(台灣)
    彭一航 Yi-Hang PENG(台灣)
    彭奕軒 Yi-Hsuan PENG(台灣)
    冼朗兒 Stephanie SIN (香港)
    曾家偉 Eason TSANG Ka Wai (香港)
    王思遨 Nicole WONG (香港)

    地點:節點藝術空間(台南市永福路二段84號,永福國小旁)
    指導單位:文化部‬
    主辦單位:國立臺灣美術館、節點藝術空間、過海的藝術計畫
    二戰後的Great Acceleration將人類推往新的高峰,「發展」成為過往近百年的旗號,掩蓋了其他物種的需要,人的欲望無邊無際,發展斷然不能永無止境地進行,況且往往造成各種不均、引發矛盾。2020是啟示之年,瘟疫、蝗災、水患紛至沓來,人類反抗乏力而退場,沒有工廠的活動來了藍天白雲,沒有輪船的巡弋水族也得以繁盛,地球上的各種活動不會因人類活動足跡減少而廢止,似乎該醒覺的是我們才對。「後人間世」是一個對未來的幻想,發展不再是靈丹妙藥,人類活動慢慢地減少,漸漸意識到衰敗並不是問題,而是社會應該回歸到追求物質以外的進步。「後人間世」也是一個寓言,在發展滿足人類欲望之下,進步真的是一種前進而非後退?當人類退場,其他物種伺機而動,對比人類生活遺址的蒼涼,何嘗又不是其他物種的生機勃發和進步發展?透過「後人間世」拋出提問,對於空間的介入、人類活動的檢討以及人類與其他物種之間關係的反思。

    The Great Acceleration after WWII has propelled mankind to new heights. “Development” has been the banner over the past nearly 100 years, concealing the needs of other species. Men has unbounded desires; however, development cannot go on forever without limits, more often it leads to all kinds of imbalance and triggers conflicts. 2020 is a year of revelation. Mankind has ceded the centre stage as due to their inability to fight against the pandemic, locust plague, and floods that have taken place in rapid succession. Without activities of factories, blue sky and white clouds have returned; without ships sea crisscrossing the ocean the marine lives have thrived. The activities on the Earth does not stop just because the reduced human activities, and it seems that we are really the ones that need an awakening. “Post-Anthropocene” is a futuristic fantasy, as development is no longer the solution for everything. Human activities has reclined, since then we have slowly realized that decline is not an issue; rather, the society should refocus on progress beyond material advancement. “Post-Anthropocene” is also a fable. As development satisfies human desires, is progress really a progression rather than a regression? As mankind retreated, other species take centre stage. In the desolate ruins of men, aren’t other species thriving and prospering? Questions are raised through “Post-Anthropocene,” to review the intervention of space and human activities, and reflect on the relationship between men and other species.
    特別感謝:
    SDI 手牌
    KARIN WEBER GALLERY
    Blindspot Gallery
    Rossi & Rossi
    土星工作室 Tu Xing Studio
    禽獸不如 — 2020台灣美術雙年展
    https://www.facebook.com/taiwanbiennial
    展期:2020.10.17-2021.02.28
    地點:國立台灣美術館 (台中市五權西路一段2號)
    官方網站: https://taiwanbiennial.ntmofa.gov.tw/
    ◆ 節點 Zit-Dim Art Space ◆
    港澳臺共同合作經營之藝術空間,試圖創建亞洲平台,致力當代藝術推廣、教育經營、田野累積、文化研究、自製出版與策展規劃;重視實驗性,跨媒材合作、國際駐村等藝術交流。開放不同主題與媒材創作者空間申請,不定期舉辦展覽、座談、論壇等發表。
    Zit-Dim Art Space is jointly run by artists from Hong Kong, Macau, and Taiwan as an Asian art platform dedicated to promoting contemporary art, education, field study, cultural research, self-publication, and curating. Also in focus are topics related to art exchanges, including experimental art, cross-media collaboration, international artist-in-residence programs, etc. It is open for venue applications to artists working on different topics and media, and hosts exhibitions, talks, forums, and other open events.

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