「non-syntax 實驗影像展」關注影像於當代的實驗性為出發，連結台灣與國際的創作實踐、重組既有媒材與類型分類，讓差異的影像彼此對話，共同思考影像的各種可能。「non-syntax」意味著發生於拼寫中的衝突，字詞的連結卻造成了意義的真空，以取消⾃身語法的方式在場。透過各地的作品集結、議題探討，以及跨類型、族群的混合，彼此映射出當代影像的多樣⽣態。

我們期待逾越既有語法的創作，讓錄像、實驗電影、紀錄⽚、⾏為表演等型態區分溶解，重新給予影像具有潛能的模糊性。「聚體」的形成，同時亦代表不斷的重組（reassemblage），藉由開放的投映形式與空間設置，在與作品、觀眾、展覽場域的交互之間，共時的改變自身感性狀態。

本次展覽將於Roof Light 空間舉行，由策展人許鈞宜、金秋雨策劃四個單元，各自探討著記憶、物質、歷史與感知等面向。同時亦將展出由客座策展人許耀文所策劃的「迴聲」特映單元。今年曾於日本東京展出、作為實驗影展前導計畫的的展覽「移行風景」，亦會在開幕舉行限定放映。參展名單與單元介紹，將在non-syntax Experimental Image Festival專頁發布。
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2022 non-syntax Experimental Image Festival
“non-syntax Experimental Image Festival” begins by focusing on the experimental nature of images in the contemporary, linking practices across countries, reorganizing existing media and genres, and bringing different images into dialogue with each other to consider the possibilities of the image. “non-syntax” indicates the conflict that occurred in writing. The connection of two vocabularies creates a vacuum of meaning that is present itself via erasing its gramma. Through the assemblage of works, the discussion of issues, and the mixing of genres and groups, the diversity of contemporary images are mapped out.
We hope to transgress the established boundary of creation, thereby dissolving the distinction between video art, film, documentary, performance, and animation, thus giving images a new potential for ambiguity. The meaning of the “assemblage” also implies a continuous re-assemblage, we expect to synchronize our own state of sensibility in the interaction with the works, the audience, and the exhibition space.
Curated by Hsu Chun Yi and Jin Qiuyu, the exhibition explores topics such as memory, matter, history, and perception. The exhibition will include a special project "Echoes from the Other Side" curated by guest curator Wen Hsu. The list of artists and programs＆#039; introductions will be published on the fan page of non-syntax Experimental Image Festival.

2022 non-syntax 實驗影像展

策展人｜許鈞宜 ＆ 金秋雨
客座策展人｜許耀文
免費入場｜登記制預約（近期開放）
活動贊助單位｜台北市文化局
活動專頁｜https://reurl.cc/RrDQAr