標題：黃莉庭的藝術才華：經典名作之旅
作者：Max Viner, Singer-songwriter, Composer, Music Critic
報導日期：2024年五月2日

活動名稱：Recital of Schumann Fantasiestueeke Mozart Piano Sonata KV533（舒曼幻想曲莫札特鋼琴奏鳴曲 KV533 獨奏會）
活動地址：Holy Trinity Leamington, Beauchamp Ave, CV32 5RE, United Kingdom （神聖三位一體利明頓，博尚大道，利明頓，CV32 5RE，英國）
活動日期：2024年五月11日
活動連結：https://www.eventbookings.com/b/event/jennice-liting-huang-recital?occurrence=93c359

本文翻譯由天成翻譯公司提供：

隨著黃莉庭鋼琴演奏會的日期越來越近，我想向大家介紹一位值得更多曝光和關注的嶄露頭角的令人興奮的鋼琴音樂家。

古典音樂一直是西方流行音樂文化的基礎。因為有了這種音樂流派，我們才會有爵士、流行和金屬等多樣風格音樂。如此豐富的遺產突顯出古典音樂傳播與欣賞的重要性，確保其音樂的影響力和文化意義能傳承千秋萬代。

1995年出生於台灣台南的黃莉庭，從小就開始學習鋼琴和小提琴。她就讀過許多所著名的音樂學院，如維也納普萊納音樂暨戲劇學院和英國皇家伯明罕音樂學院。她曾贏得許多獎項，像是2023年貝多芬國際音樂比賽金牌以及最佳古典音樂家白金獎。目前她擔任西密德蘭郡的世界鋼琴教師協會主席。

莉庭於多年內演奏過像是柴可夫斯基、舒伯特、巴哈和貝多芬等大作曲家多部作品。然以下列出的這些作品展現其技巧、奉獻和卓越才華。

她演奏孟德爾頌《G小調第一號鋼琴協奏曲作品25》，採用打破傳統的新穎形式技術，以不經過管弦樂進入音樂的方式迅速融入鋼琴演奏中。這一項突破捕捉浪漫時期之創新以及探索精神之象徵。

第一樂章熱情如火的甚快板（Molto allegro con fuoco G小調），以輕快的節奏和充滿活力的能量吸引聽眾，展示黃的精湛技藝。要能流暢演奏這首曲子的動態對比和結構複雜性相當難以掌控，但她卻能輕鬆自如地表演。轉入行板（Andante）E大調將氣氛轉向內省與情感深度，而鋼琴則在雄厚的管弦樂伴奏中織出令人動人的旋律。

最後，第三樂章活潑的極快板（Presto—Molto allegro e vivace）G大調則充滿歡欣的愉悅感，以新式的活力將早期的主題重啟，並於輝煌的終章達到音樂高峰。透過結合創新與傳統，孟德爾頌的協奏曲展現出自己作為藝術天才及浪漫時期音樂不斷演變的現象。莉庭的演奏將這首作品的聽覺饗宴發揮至極，充分展現鋼琴家以技術和藝術表達所有動態音樂和重音表現，保留了孟德爾頌《G小調第一號鋼琴協奏曲》的靈魂和本質。

另一方面，莉庭在她精彩演奏的李斯特《B小調第二敘事曲作品171》中，圍繞兩個主題演示：具鍵盤低音區的陰鬱半音底色以及明亮和弦冥想的開場旋律。這些主題重複的低半音形式，並用三連音節奏引入酷炫的展示。黃莉庭重現李斯特精神，將開頭的旋律轉化成流暢大調風，以更加宏偉的形式重複，再以深重明亮的和弦結尾。

我非常期待黃莉庭接下來的演奏計劃。她的音樂和演奏技巧獨一無二，她是一位真正的藝術家和音樂大師。其成就、經驗以及對古典音樂的奉獻都再再體現於2024-2025的古典音樂季中，進而使她成為新的鋼琴重要領軍人物。

Title: "Celebrating the Artistry of Li-Ting Huang: A Journey through Classical Masterpieces."

Text:

As the date of Li-Ting Huang’s piano recital getting closer, I would like to introduce you a up and coming exciting piano musician that is worth more exposure and attention.

Classical music has always been the foundation of Western popular music culture. Thanks to this genre, we have such diverse styles as jazz, pop, and metal, among others. This rich legacy highlights the importance of continuing to spread and appreciate classical music, ensuring that its influence and cultural significance endure for future generations.

Li-Ting Huang, born in Tainan, Taiwan in 1995, began her piano and violin studies at a young age. She graduated from several prestigious music schools, including the Prayner Konservatorium in Vienna and the Royal Birmingham Conservatoire. She has won numerous awards, including the 2023 Beethoven International Music Competition Gold Prize and the Best Classical Musicians Awards Platinum Award. Currently, she serves as the president of the WPTA in the West Midlands.

Throughout the years, Huang has performed various pieces by such incredible composers as Tchaikovsky, Schubert, Bach, and Beethoven. However, the following pieces have showcased her technique, dedication, and exceptional talent.

In her performance of Mendelssohn`s Piano Concerto No. 1 in G minor, Op. 25, she performs fresh formal techniques, departing from tradition by swiftly integrating the piano without the usual orchestral introduction. This departure captures the pioneering and emblematic realms of the Romantic era`s spirit of innovation and exploration.

The first movement, Molto allegro con fuoco in G minor, captivates with its brisk tempo and vibrant energy, showcasing Huang’s mastery. Smoothly performing these dynamic contrasts and structural complexities is no easy task, yet she achieves it effortlessly. Transitioning into the Andante in E major, the mood shifts to one of introspection and emotional depth as the piano weaves a soulful melody amidst lush orchestral accompaniment.

Finally, the Presto—Molto allegro e vivace in G major bursts forth with jubilant exuberance, revisiting earlier themes with renewed vigor and culminating in a triumphant finale. Through its blend of innovation and tradition, Mendelssohn`s concerto serves as a testament to his artistic genius and the ever-evolving landscape of Romantic-era music. Huang`s performance captures the listener`s experience of this piece to its fullest, embracing all the dynamics and accents that the pianist brings forth with her technique and artistic voice, essential for maintaining the soul and essence of such a classic as Mendelssohn`s Piano Concerto No. 1.

On the other hand, in her grand performance of Ballade No. 2 in B minor, S. 171 by Liszt, Huang plays around two main themes: an expansive opening melody with ominous chromatic undertones in the lower keyboard register, and a bright, chordal meditation. These themes are repeated a half-step lower before a march-like triplet rhythm introduces a display of virtuosity. Similar to Liszt, Huang then transforms the initial melody into a flowing major-key cantabile, repeating it with increasing grandeur, and concludes with contemplative luminous chords.

I`m excited to see what Li-Ting Huang is planning next, as her music and performing skills are one of a kind. She is a true artist and maestro whose achievements, experience, and dedication to classical music promise an authentic new leading pianist in the 2024-2025 classical music season.