點選影片右下角,可放大全螢幕播放

在當代藝術樣式紛繁，日趨多元的今天，彭薇水墨作品的突破性實驗得以兼具傳統符號與當代品格，尤其是個人的才華與風神，實屬罕見而稀有。一襲漢服，一雙繡履，素材是中國的，筆墨是傳統的，氣息是當代的，並煥發女性藝術的巧緻，即古且雅，其舊亦新。近年，彭薇更將她的筆墨遊戲拓展到三維空間，創作了系列繪畫裝置作品，一舉逸出傳統繪畫的物質範式，成功地以裝置形式將「國畫」異質化、陌生化、時尚化，國畫的神韻不但未見絲毫喪失，更被賦予全新的視覺效果和美學特質。在她筆下，中國傳統水墨的絕活與魅力被帶出平面，由紙上進入多維的空間，既出離平面，而始終歸於水墨。

In today’s art world of diversified styles, the innovative experiments in Peng Wei’s water and ink paintings possess traditional symbolism and contemporary personality. A traditional garment and a pair of embroidered shoes, the water and ink are traditional, but the aura is contemporary and transpires feminine delicacy, which combines the old and the new. In recent years, Peng Wei has extended her painting explorations to 3-dimensional context, and produced series of painting installations, which leaped out of the conventional material forms and successfully transformed traditional Chinese paintings through de-materialization, alienation, and modernization. The technique and charm of traditional Chinese water and ink paintings are brought out of flat context, from paper into multi-dimensional space; although departing from the flat context, the paintings are yet still thoroughly of water and ink.