異雲書屋很高興能向您介紹，2024 台北國際藝術博覽會 —— MIT 新人推薦特區 獲獎藝術家 翁榛羚 Weng Jhen-Ling，即將於展位 #M06 展出！

翁榛羚作品以銅版腐蝕作為媒材創作，探討日常中的非日常景象。她運用一種近似於舞台架構的佈局來表現，與十八層地獄的圖像結合，且打破時空的單一性，將人的內在靈魂、外在形象，甚至是對外界的投射、慾望並置在一起，成為有如夢境的奇詭場景，其中充滿黑色幽默，怪誕又獵奇。

這些原本不關聯的人物，透過他們的動作和視線，彷彿組成了新的故事，觀眾在試圖去對作品內容加以分類、編造故事線的過程中，會逐漸發現其中存在的矛盾、真空和趣味。

「對我來說，銅版腐蝕呼應了我對自身『內心傷口』的部分。在一片完整的銅版上，塗上防腐蝕液後，刻畫於版上的圖像，就如同我劃破了心靈的傷口，經過硝酸液體的腐蝕，它就不再是平滑透亮的銅版，這是我對自身外在形象與內在形象的矛盾感。」 —— 翁榛羚 自述

Yi Yun Art is pleased to introduce Weng Jhen-Ling, a winning artist of the “Made in Taiwan: Young Artist Discovery” program. Her works will be showcased at booth #M06 during the 2024 Art Taipei!

Weng Jhen-Ling primarily employs copperplate etching as her medium, and her works aim to explore the extraordinary within the ordinary. She adopts a layout akin to a stage set, blending imagery from the “Eighteen Levels of Hell”, and breaks the linearity of time and space by juxtaposing the internal soul, external image, and even projections and desires. This creates a surreal, dream-like world filled with dark humor, strangeness, and the bizarre.

These seemingly unrelated figures, through their actions and gazes, appear to form new narratives. As the viewer attempts to categorize and construct storylines within the work, they gradually uncover inherent contradictions, voids, and moments of intrigue.

“For me, copperplate etching resonates with the 'inner wounds' within myself. On a smooth copperplate, after applying a resist, the image etched onto the plate feels like I’m cutting into a wound of the soul. After being corroded by the acid, the plate is no longer smooth and shiny, symbolizing the contradiction I feel between my external image and inner self.” — Weng Jhen-Ling, Artist's Statement.

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展期｜2024. 10. 25 - 10. 28
地點｜台北世貿一館・台北市信義區信義路五段五號
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