首先，是聆聽。

表演者與觀眾一起在第一個聲音響起的地方，聲音在空的空間佔有，
以它的質地、顏色、形狀、線條存在，另一個人加入，以聲音的手攪入，
拌開、梳理、添加、陪伴、破壞，以疏離或親密的方式合聲，
兩個人在這之中對話，透過聲音傳達、理解，跟隨或反駁。

觀眾聽得到一切，再仔細一點，可以看得到一切沒有言說的發生。


演出者介紹

●林子寧(Lin Tzu-Ning):Electronics + Vocal

以劇場為主要活動範圍，喜歡跨域與實驗。2019年開始以人聲的方式參與實驗音樂演出。
目前個人關注的面向是「發聲與身體的關係」以及「聲音到成為語言之間」過程中包含的原始感官性、象徵意義、邏輯思維等。
合奏即興上注重與他人聲音上的溝通與連結。
最近開始使用合成器加入演出。

With theater as the main focus,interested in cross-border and experimental performances. In 2019, started exploring experimental music performances in the form of human voice.
Now focus on the relationship between voice and body, and what between sound and becoming language, about raw sensuality, symbolism, logical thinking.
Ensemble improvisation focuses on communication and connection with other people’s sound.
Recently started using synthesizers to join the show.

●黃晴怡(Huang Ching-Yi):Electronics+Violin

音樂演奏性質包含古典與即興，學習初期接觸古典樂訓練，透過技術與音樂性的轉化以小提琴演奏發展，探索多方面活動中體現的自發性和直覺共鳴的狀態。嘗試結合古典與即興發展聲音的多元語言，並與各類型之表演藝術家做音樂交流與創作，以發展出更多音樂表現的可能性，使不同年代、不同文化與不同地域的器樂、聲響結合成新的聲音型態。

Huang Ching Yi is an improvisation and classical violinist based in Taipei, Taiwan. Developing possibilities through combining classical music and improvisation, she brings together instrumental music and sounds from different eras, cultures, and regions to create new forms of expression.
 In the experimental and underground scene, she mostly engages with music through collaboration. For her, improvisation is centered around listening, observing, and responding to a musical structure through dialogue, which creates a sense of awareness and a diversity of textures and sounds.



●陳保明 (Chen Paung-Min) :Electronics

根據一名聽眾所述，此人的聲響表現猶如身處電子殺肉廠，眼前全是數位的鬼：「碎片墜落、機具塌陷、原子撞擊....仿佛遊戲無法結束，只見那人手持一台機器，無情地捏著旋鈕對其進行調變，於是周遭開始扭曲，電光石火間，鴿子和水母融成了一體，街上的人漸漸被格式化，而他也從這真實世界中蒸發了....」

Chen Paung Min creates intense electronic music that sounds like a mix of broken toys and digital glitches. Through the function knobs, they transform normal sounds into strange and distorted noise in real-time. Their style combines experimental electronic music with industrial sounds, creating an unsettling atmosphere that feels both mechanical and wonderfull. The music makes listeners feel like they＆#039;re trapped inside a malfunctioning computer, where real-world sounds break apart and transform into digital chaos.



●張凱崴(Chang, Kai-Wei):Electronics

張凱崴是一位居住於布魯克林的台灣電子音樂家、作曲家、製作人及多樂器演奏家。他的風格與工業、故障音樂（glitch）、環境音樂等傳統相呼應，作品經常探索實驗性技術、多樣化的作曲手法及創新形式的結合。他的作品強調音色與質地元素，將廣泛的即興演奏語彙與非正統的後製、歌曲創作和聲響設計途徑融為一體。作為製作人，他曾與Cherophobiac、Andrés Volkov、Elliot Cole以及其他紐約音樂家合作。他的首張LP專輯《Reprocessor》於2023年由Long Echo Records發行，被Obscure Sound評為「黑暗而充滿活力的故障音景，展現從不安的寬廣空間到靈巧的節奏魅影的動態範疇，有時彷彿融合了Burial與Oneohtrix Point Never的風格」（2024年）。

Kai-Wei Chang is a Brooklyn-based Taiwanese electronic musician, composer, producer and multi-instrumentalist. Stylistically aligning with traditions of industrial, glitch, ambient music, His work often explores combinations of experimental technique, diverse compositional approach and experimental form. His work often emphasizes timbral ＆ textural elements, while fusing a vast improvisational vocabulary with unorthodox post-production, songwriting and sound design methods. As a producer he has worked with Cherophobiac, Andrés Volkov, Elliot Cole and other NY-based musicians. His debut LP, “Reprocessor” (“darkly invigorating, glitchy soundscapes, touting a dynamic range from unsettling spaciousness to dexterous rhythmic haunts, at times resembling a cross of Burial and Oneohtrix Point Never” - Obscure Sound 2024) was released under Long Echo Records in 2023.


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【GDAP Show - EMPTY SPACE】即興演奏會資訊
●日期 2024/11/24，
●時間：19:30-20:30
●地點：台北市大同區迪化街一段256號
●票價: 400元
●主視覺設計： 陳保明 Chen Paung Min

REFERENCE

EMPTY SPACE 演奏會-購票連結
About 林子寧
About 張凱崴
About GDAP