作品預計從日常生活的事件作為索引，進駐總爺期間獨自一人自我對話的經驗。因為田調碰壁（重新認識了原來自己一點都不適合做人文地理歷史關懷的創作者），只好在總爺附近開始散步，認識了太平清歌還有臺南將軍區的沿海風景，並往自己最近的需求開始探索，在這邊開始對光的形狀、自然的聲音跟身體的狀態進行一些互動，也開始進行了很久沒有做的素描，並且思索了如何跟空間玩耍，這段時間直覺這裡好像需要一張舒適的椅子，成為了這次創作的一個核心。

The planned work draws on everyday events as reference points, reflecting experiences of self-dialogue during my residency at Tsung-Yeh Arts and Cultural Center. Facing challenges in field research (realizing I was not well-suited to be an artist focused on human geography or cultural history), I shifted to taking walks around Tsung-Yeh. Through this, I encountered Taiping Qingge performances, explored the coastal scenery of Jiangjun District in Tainan, and turned my focus inward to explore my immediate needs.

I began interacting with the shapes of light, the sounds of nature, and my own bodily presence in this space. This led me back to sketching, something I hadn’t done in a long time, and reflecting on ways to engage playfully with the surrounding environment. During this period, I intuitively felt that a comfortable chair was needed here, and this notion became central to my creative work.