賴純純大學時期受廖繼春啟發，領會色彩即為表現主體的可能。隨後在日本求學，建立日後空間創作的基礎觀念。1980年代，她以複合媒材創作，藉由純粹的色彩、抽象性的排列，探討繪畫形式自由的可能性。1986年成立「SOCA現代藝術工作室」推展前衛藝術。1990年代重新體認東方美學，在材料的運用上顯現自然，訴求回歸內在感性。1998年起，投入公共藝術創作，行遍全臺。2007年後，生活與創作重心轉向東部海岸。此時期作品重回色彩獨立表現，反映在東部長住後，對自然更為深層的嚮往。
本展以「黑潮」為名，象徵賴純純創作純然而深邃、多變卻一貫的特質。展覽邀請藝評家張晴文擔任客座策展人，預計透過四個子題梳理賴純純1970年代至今的創作脈絡，展出油畫、壓克力繪畫、複合媒材繪畫、雕塑、裝置、手稿、影片與文獻等。
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“Jun T. Lai: A Retrospective”, curated by art critic Chang Ching-Wen, symbolizes the pure yet profound and versatile yet consistent attributes of the artist’s work. Jun T. Lai was inspired by Liao Chi-Chun during her college years and began to explore colors as a means of expression. While studying in Japan, she formulated the core concepts for her later spatial works. In the 1980s, she delved into the potential of painting through abstract arrangements of pure colors, earning recognition in major competition exhibitions, including the Contemporary Art Trends R.O.C. Subsequently, she established the Studio of Contemporary Art (SOCA) to advocate for avant-garde art. In the 1990s, she revisited Eastern aesthetics, which led to new insights that inspired her to draw from nature and her inner feelings through her sensibility. Following 2007, she focused on living and creating art on Taiwan’s eastern coast, redirecting her attention to the independent expression of colors while expressing a profound desire for nature. This exhibition will explore the artist’s creative journey through four themes spanning from the 1970s to the present. It will feature nearly one hundred exhibits, including oil, acrylic, and mixed media paintings, as well as sculptures, installations, hand drawings, manuscripts, videos, and archives.
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黑潮：賴純純回顧展
2025.03.01-05.25
北美館2A、2B展覽室

REFERENCE

臺北市立美術館「黑潮：賴純純回顧展」