總論
自荷蘭、西班牙人登陸，歷經清初建城、日本殖民遷都及戰後國府來臺，臺灣在頻繁政治更迭及族裔往來的過程中，積累多元歷史文化遺存，展現流動雜揉的海國徵候。大航海時代以來的異文明接觸及之後的「現代化」，不僅促使其走向世界，更激發文化內視之轉向，藉以創造跨越國界及開放自省進步特質之新文化。猶如雕塑家黃土水百年前提出創造「福爾摩沙時代」的呼籲，不僅未因時間消逝褪色，更成為吾人建構在地意識及知識啟蒙的重大指針。

臺灣百年美術歷程之建構，可謂一部交織在內與外、西與東、新與舊、自然與文明、朝與野、我者與他者等二元框架中，從對立到對話的折衝進程，摸索「現代化」之轉接可能及不斷尋找自身定位的重層歷史。本展覽為梳理此段迂曲過程所蘊含的異變軌跡及複合意義，聚焦1895之前至1950年出生具時代代表性藝術家，以國寶、重要古物等級作品為領銜亮點，展現逾越一世紀豐碩文化遺產與視覺藝術精粹，藉以呈顯宏觀知識啟蒙與主體身分認同的形塑脈絡。

為系統體現此浩瀚成果，本展覽分三階段接力展出。首段選定1950年前出生百餘位藝術家逾二百件精彩佳作，設定八大子題，探討典範中的集體意識、地方身分的發掘命名、新舊地景的共存消長、身體符號及其時代標記、文化版圖移轉之衝撞融接、走向世界的自我定位以及土地回歸的自主思考等議題。據此彰顯「臺南國家美術館」設立之重大使命目標，以及回歸臺灣文化初生地繁榮再造的象徵意義，作為重構「福爾摩沙時代」新文化里程碑的一大起點。

參展藝術家（依出生年排序）：
柯靈烏、約翰．湯姆生、石川欽一郎、石川寅治、鹽月桃甫、木下靜涯、鄉原古統
潘春源、郎靜山、小早川篤四郎、多多羅義雄、曹容、陳澄波、黃土水、董作賓
吳梅嶺、溥心畬、朱玖瑩、余承堯、陳英聲、黃君璧、莊嚴、林克恭、郭柏川
李梅樹、廖繼春、臺靜農、李金玉、陳植棋、楊啟東、葉火城、王坤南、李澤藩
楊三郎、鄧南光、謝宗安、王攀元、沈耀初、王壯為、馬白水、張萬傳、甄溟
金勤伯、陳德旺、傅狷夫、黃清呈、趙春翔、劉啟祥、陳丁奇、李仲生、洪瑞麟
袁樞真、蒲添生、劉其偉、孫多慈、陳庭詩、黃荷華、盧雲生、呂基正、張義雄
黃水文、翁崑德、張光賓、鄭世璠、張才、陳夏雨、黃歌川、蔡草如、朱德群
許武勇、廖德政、李德、陳其寬、李鳴鵰、周瑛、蕭如松、吳學讓、席德進
莊世和、文霽、陳英傑、江兆申、江漢東、沈哲哉、楊英風、賴傳鑑、夏一夫
曾培堯、詹浮雲、李再鈐、劉生容、朱為白、柯錫杰、陳道明、楚戈、夏陽
劉國松、鄭善禧、霍剛、李芳枝、林壽宇、梁秀中、馮鍾睿、羅清雲、歐豪年
蕭勤、林智信、傅申、廖修平、潘元石、鄭桑溪、羅芳、朱銘、李錫奇、張淑美
陳忠藏、陳輝東、劉耿一、謝里法、林惺嶽、韓湘寧、倪朝龍、劉耕谷、王信
何懷碩、李義弘、周澄、姚慶章、江明賢、吳炫三、李重重、陳昭宏、曾得標
哈古、張照堂、蘇峰男、黃光男、蒲浩明、李小鏡、高燦興、林燕、陳水財
陳陽春、楊文霓、羅振賢、粘碧華、楊識宏、杜忠誥、黃步青、黃銘哲、蘇憲法
楊世芝、黎志文、謝棟樑、阮義忠、卓有瑞、郭明福、盧明德

主辦單位：文化部、臺南市美術館
策展人：白適銘
展覽執行：臺南市美術館展覽企劃部
協辦單位：
國立故宮博物院、國立臺灣歷史博物館、國立臺灣美術館、國立歷史博物館
國家攝影文化中心、中央研究院嶺南美術館、高雄市立美術館、桃園市立美術館
臺北市立美術館、臺南市立博物館、嘉義市立美術館
農業部林業及自然保育署嘉義分署（依筆畫排序）
特別感謝：
李梅樹紀念館、李澤藩美術館、呂雲麟紀念美術館、阿波羅畫廊、家畫廊
財團法人山藝術文教基金會、蒲添生雕塑紀念館、楊英風藝術教育基金會
羲之堂、郭雪湖基金會、歐豪年文化基金會、私人藏家（依筆畫排序）

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Overview
Since the arrival of the Dutch and Spanish, and through the early Qing establishment of urban centers, Japan’s relocation of its colonial capital, and the postwar arrival of the Kuomintang government, Taiwan has accumulated diverse historical and cultural legacies amid frequent political shifts and ethnic exchanges, revealing dynamic, hybrid maritime characteristics. Since the Age of Discovery, encounters with diverse cultures—and the subsequent wave of modernization—have not only propelled Taiwan onto the global stage but also sparked an inward cultural turn. This shift has paved a way for a new culture that transcends borders and embodies openness, introspection, and progress. Much like sculptor Huang Tu-shui’s century-old call to create a “Formosa Era,” this call has not faded with time but instead has become a vital beacon in shaping our local identity and intellectual enlightenment.


Within a framework of binary oppositions—internal versus external, Western versus Eastern, new versus old, nature versus civilization, ruling versus opposition, and the Self versus Other—centuries of Taiwanese art have woven layered history that identifies the possibility of modernization and constantly explores its self-identity throughout the process from conflict to dialogue. To comb through the variations and mixed meanings in this complex process, this exhibition focuses on iconic artists born before 1895 through 1950 and highlights the works regarded as national treasure and significant antiques. By presenting rich cultural heritage and visual artistic essence across a century, the event unveils the overarching context that has shaped both intellectual enlightenment and the formation of subject identity.


To comprehensively exhibit such vast achievements, this exhibition comprises three phases. The first phase features over 200 exceptional works by more than a hundred artists born before 1950. Organized around eight subthemes, it explores issues such as the collective consciousness within paradigms, the discovery and naming of local identities, the ebb and flow of old and new landscapes, bodily symbols and their era-specific markers, the collision and fusion in cultural territory shifts, self-positioning on the global stage, and self-reflections on the return of the land. By doing so, it underscores the National Museum of Modern Art Tainan (NMMAT) significant mission and the symbolic revitalization of Taiwan as the cradle of its culture—marking a pivotal starting point in reconstructing a new cultural milestone in the “Formosa Era.”

Artists
Cuthbert Collingwood, John Thomson, Ishikawa Kinichiro,Ishikawa Toraji
Shiotsuki Tōho, Gōbara Kotō, Kinoshita Seigai, Pan Chun-yuan, Lang Ching-shan
Kobayakawa Tokushirō, Tatara Yoshio, Chen Cheng-po, Dung Tzuo-bin
Huang Tu-shui, Tsao Jung, Pu Hsin-yu, Wu Mei-ling, Chin Ei-sei, Huang Jiun-pi
Ju Jiou-ying, Yu Cheng-yao, Jiang Yian, kuo Po-chuan, Lin Ko-kung, Li Mei-shu
Liao Chi-chun, Tai Chin-nung, Chen Zhi-qi, Li Jin-yu, Yang Qi-dong, Yeh Huo-cheng
Den Nan-gwang, Hsieh Tsung-an, Lee Tze-fan, Wang Kun-nan, Yang San-lang
Shen Yau-chu, Wang Pan-yuan, Chang Wan-chuan, Ma Pai-sui, Wang Juang-wei
Zhen Ming, Chao Chun-hsiang, Chen De-wang, Fu Juan-fu, Huang Ching-cheng
Jin Chin-bo, Liu Chi-shiang, Chen Ding-Chi, Hung Jue-lin, Lee Chun-shan, Liu Ma× C.W.
Pu Tien-sheng, Yuan Shu-jen, Chen Ting-shih, Huang Her-hua, Lu Yun-sheng
Suen Duo-tsz, Chang Yi-shiung, Huang Shui-wen, Lu Ghi-cheng, Chang Kuang-bin
Cheng Shih-fan, Wong Kun-de, Chang Tsai, Chen Hsia-yu, Huang Ko-chuan, Tsai Tsao-ju
Ju De-chiun, Liao Te-cheng, Shiu Wu-yung, Chen Chi-kuan, Li De, Chou Ying
Hsiao Ju-sung, Lee Ming-tiao, Chuang Shih-ho, Shiy De-jinn, Wu Hsueh-jang
Chen Yin-jye, Wen Ji, Jiang Jhao-shen, Chiang Han-tong, Lai Chuen-chien, Shen Che-tsai
Yang Yuyu, Chan Fu-yun, Hsia Yi-fu, Tzeng Pei-yao, Lee Tsai-chien, Liu Sheng-jung
Chu Wei-bor, Ke Shi-jie, Chen Tao-ming, Chu Ke, Cheng Shan-hsi, Ho Kan, Hsia Yang
Liu Kuo-sung, Li Fang, Richard Lin, Feng Jung-ruei, Liang Shiou-jung, Luo Ching-yun
Au Ho-nien, Shiao Chin, Fu Shen, Liao Shiou-ping, Lin Chih-hsin, Pan Yuan-sh
Cheng Sang-syi, Luo Fang, Chen Chung-tsang, Chen Huei-dung, Jang Shu-mei
Ju Ming, Lee Shi-chi, Liu Gung-yi, Shaih Li-fa, Han Shiang-ning, Lin Hsin-yueh
Liou Geng-gu, Ni Chau-lung, Ho Huai-shuo, LI Yi-hong, Wang Sin, Yao Ching-jang
Zhou Cheng, A-Sun Wu, Hilo Chen, Jiang Ming-xian, Li Chung-chung, Tzeng De-biau
Chang Chao-tang, Haku, Su Fung-nan, Huang Guang-nan, Pu Hau-ming, Daniel Lee
Kao Tsan-hsing, Chen Shui-Tsai, Chen Yang-chun, Lin Yan, Luo Jen-shian
Yang Wen-ni, Nian Pi-hua, Yang Chi-hung, Dwu Jung-gau, Huang Buh-ching
Huang Ming-che, Su Sian-fa, Emily Shih-chih Yan, Hsieh Tong-liang, Lai Chi-man
Cho Yeou-jui, Juan I-jong, Kuo Ming-fu, Lu Ming-te


Organizers: Ministry of Culture, Tainan Art Museum
Curator: Pai Shih-Ming
Exhibition Execution Team: Curatorial Department of Tainan Art Museum
Co-organizers:
National Palace Museum, National Museum of Taiwan History
National Taiwan Museum of Fine Arts, National Museum of History
National Center of Photography and Images
Lingnan Fine Arts Museum of Academia Sinica
Kaohsiung Museum of Fine Arts, Taoyuan Museum of Fine Arts
Taipei Fine Arts Museum, Tainan City Museum, Chiayi Art Museum
Chiayi Branch, Forestry and Nature Conservation Agency
Ministry of Agriculture, Private Collectors (By stroke order)
Special Thanks:
Li Mei-Shu Memorial Gallery, Lee Tze-Fan Memorial Art Gallery
Lu Yun-Lin Memorial Art Museum, Apollo Art Gallery, Jia Art Gallery
Mountain Art Foundation, Pu Tian-Sheng Sculpture Memorial Museum
Yuyu Yang Art Education Foundation, Xi Zhi Tang Gallery
Kuo Hsueh-Hu Foundation, and Au Ho-Nien Cultural Foundation
Private Collectors (By stroke order).