玲瓏精緻的尺幅、描繪細緻的筆觸，構成了本次展覽的主要呈現。它是創作者們精心打造的小小景窗。景窗內包含著廣闊無際的想像，以及濃縮著許多思想或意識的結合。它聚焦在每個差異甚大的製造者內心，卻同時都在巧而華的範疇內，擴展了玲瓏本體的無邊內醞。

「巧而華」對應著歷史中的筆法與規範，但卻不再成為負面情境的例舉。這是因為年輕的當代墨彩創作者，在他們的筆法製造裡，已然將這些巧妙的技術溶進了自身思想、意識與畫面的表述中。進而，使得華美細膩的安排，增添了對大千世界的描述，以及作品製造者所賦予的視覺性意義。

尤其，在本次的展覽中，刻意邀請了十三位參展的藝術家們，利用小尺幅的作品來展現出個人在過往創作中，另一種視覺的限縮與嘗試。他們分別是：林再立臻、邱伶琳、徐兆甫、涂智惟、陳芷若、陳國華、陸真儀、曾詩涵、曾霆羽、黃昱斌、賴帥錚、簡翊洪、蘇煌盛。而這些創作者的成果乃意謂著，當作品被規定在一個小小景框的對應出口時，「巧」的構思，成為了他們該如何安排、如何打造出有別於大畫面的想像性方法，並且以濃縮的形式，推展出個人對應於自身創造的格局，而成就出另一項觀看世界的邏輯。

然而，這樣的尺幅限定作為他樣製造的嘗試。卻不在於侷限創作者任何主題或內容的範疇。畢竟，當小巧與華美作為另一種意識表現的同時，它所對應的，也將會是與歷史中的作品、以及畫論條例裡的顛覆運作。並且對於過往士人的品評標準，進行著更多差異性的翻越想像。其有限度的規範與無邊際的內容製造，當然也成為了「巧而華」在當代創作的墨彩思維裡，一種正向的嶄新可能。

Brushwork touches of meticulous depiction in the exquisitely delicate sizes constitute the main show in this exhibition. In the small-viewed windows which have been carefully crafted by the creators, there are boundless imaginations and concentrated combination of thoughts and consciousness. It is focused on the makers’ inner minds with wide differences yet at the same time limited within the scope of “ingenious yet splendid”, expanding delicacy itself to the boundless inner meanings.

"Ingenious yet splendid” corresponds to the historical strokes and norms, but is no longer a negative context exemplified. This is because the young creators of contemporary ink color, as shown in their brush strokes, have merged the ingenious techniques into their own thought, consciousness and display of their works. Furthermore, the splendid delicate arrangements have augmented the description of the humane worlds and the visual meaning provided by the painters in their works.

In particular, in this exhibition, there are thirteen artists deliberately invited to display different visual limitations and attempts by small sized works through their personal creations in the past. They are Li-Zhen Lin Zai, Ling-Lin Qiu, Zhao-Fu Xu, Zhi-Wei Tu, Zhi-Ruo Chen, Guo-Hua Chen, Zhen-Yi Lu, Shi-Han Zeng, Ting-Yu Zeng, Yu-Bin Huang, Shuai-Zheng Lai, Yi-Hong Jian, Huang-Sheng Su. These achievements of the creators means that, when the work is specified in the corresponding small outlet frame, “ingenious" concept has featured how to arrange the content in a method different from the big picture in the imagination, and has promoted personal corresponding individual creative pattern in concentrated form, thus attained a different logic in the world view.

However, such a limited size of work makes possible a different attempt; yet it is limitless in the subject and scope of content. After all, a small and splendid concept as another manifestation of consciousness at the same time corresponds to the historical works as well as overthrows the drawing theory and rules. And it is also toppling many different imaginings under the judgment criteria by the past scholars. The limited norm with boundless content creation surely becomes a positive brand-new possibility of the “ingenious yet splendid” in the creative thinking of contemporary ink color world.