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非池中藝術網

102當代藝術空間

【土地漬物】謝其昌抽象創作個展 Land Falvor: HSIEH Chi-Chang Abstract Creation Exhibition

  • 展期

    日期:2019-03-08 ~ 2019-04-20

  • 地點

    台南市仁德區成功三街102號

  • 參展藝術家

    謝其昌

  • 《土地漬物》|謝其昌抽象創作個展
    Land Flavor: HSIEH Chi-Chang Abstract Creation Exhibition
    開幕|2019/03/09 SAT 15:00
    展期|2019/03/08 - 04/20
    地點|102當代藝術空間|台南市仁德區成功三街102號
    時間|TUE- SUN 11:00 - 18:00 (MON off)


    〈土地漬物〉的創作脈絡與題材的構思,是謝其昌繼〈自然序〉與〈旅行漬物〉之後回歸到自己所處的文化場域,透過自身的成長學習背景與留學經驗的衝突與相容,將殘留在內心的迴盪旅程,經由時間的氧化,釋放自我潛藏內心的直覺意識,並且重新審視自我內在心境與土地的對話。

    創作表現上以一種自由感受的直覺,讓自己重新關注到繪畫行為的本身及繪畫過程中身體上的狀態,喚醒每個迴盪的過程,釋放潛藏內心的直覺意識,以類書法、塗鴉抒發,反覆堆疊、覆蓋尋求心靈的連結,將東方文化思維和西方抽象藝術為基底,客觀凝練了自然世界的信號,描繪現實與理想間的「風景類地圖」。

    此次展覽可以看到謝其昌在作品中使用類書法、幾何與類似塗鴉文字的圖案或形狀,營造出書寫性的符號,這是文化自然情感的符號,也是文化自然痕跡的記錄。運用類書法和塗鴉的抽象表現形式,藉由技法的偶發與自動性製造出滴流痕跡,畫面中的動感線條,鋪陳畫布空間,以反覆擦拭、塗改的方式,表現出多重空間與影像相互交疊的狀態,藉由創作過程找尋永恆片段的內在風景建構,拼湊熟悉卻又多變的生活記憶。


    The concept and work-foundation of “Land Flavor” was formed by Hsieh Chi-Chang as a recap after his previous artwork series “Natural Overture” and “Travel Trace”.

    By going through all the working experience and process repeatedly with the personal life experience which he had been through, he was able to unleash a true side of his feeling toward the nature and reevaluate the gap between him and the environment as a human being but not as an environmentalist.

    The ideas of his art work are based on freedom and self-intuition. In every artwork of him, a pure focus and simplicity were expressed by interaction between the nature and harmony to wake every hidden part of how the humanity might have based on what they saw at their surroundings. The mix between Calligraphy and graffiti were combined and used as one on the paintings is to demonstrate the balance and connection between Eastern and Western art, and also to show the ideal “inner map” for everyone based on the way they look at the nature.

    There are couple thing which the audience could discover from the exhibition. For instance, the writing and symbol that based on random graffiti and calligraphy etc. They stood out as the trace and inner memory that humanity and the nature ever shared. Each brash stroke shows the multiple combinations between how human life is intertwined with what they have experienced through natural and how and what they seek to perfect their work for the nature or environment. In other word, it is like viewing an ambiguous vibe from everything that has been existing for a long time to “How” they are perfected to be a better piece of art work.

102當代藝術空間謝其昌土地漬物

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