關渡美術館
【透明的風景】
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展期
日期:2019-04-19 ~ 2019-06-30
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地點
112台北市北投區學園路1號/台北藝術大學關渡美術館
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參展藝術家
張永達
每一個我們熟悉的日常風景背後,是否都同時存在一個-透明的風景?
從透視法、暗箱,發展到現今的AR、VR,科技持續在拓展人類觀看世界的視角與象限,而原本我們透過視覺、聽覺等感知所建構的世界,在數位化加劇推進的情況下,產生了新的面貌:由巨量微感測運算與數據調控所形成的世界-一個身體感官所無法觸及(無所感)的世界。我們該如何面對這些不可見者?如何解讀數據與訊號所產生的連結關係與組成的意義?或是它所再現的是什麼樣的世界?我,將對它的想像視為風景(scape),同步與現實環境並存的「透明風景」。
Is there a transparent landscape co-existing with every ordinary scene that we are familiar with in our daily life?
From perspectives and camera obscura to AR and VR of the present day, the angles and dimensions which we adopt to view the world keep expanding as modern technology continues to advance. Moreover, the world that used to be perceived through physical senses, such as vision and hearing, inevitably takes on a new look as it marches relentlessly towards digitalization. It is transformed into a world constructed by myriads of bits and bytes and data adjustment—a world that our physical senses fail to perceive (or are not conscious of). How should we confront ourselves with the unseen? How can we interpret the nexus between data and signals and the meaning of their combination? What kind of world does the unseen represent? I, for my part, would imagine it as a scape, a “transparent landscape” that co-exists with the real world.
熱門展覽
1
奇美博物館:【時代的臉孔-從莎士比亞到紅髮艾德】
十方藝術空間:【GIGA STYLE】Noritoshi Mitsuuchi Solo Exhibition
時藝多媒體:【普立茲新聞攝影獎80週年展】
奇想會 Whimsy Works Gallery:【《十人十色》】OTANIJUN Solo Exhibition Curated by Words Gallery
Roof Light:【2022 non-syntax 實驗影像展】
102當代藝術空間:【集體儀式–這些人.那些人 Nostalgia, Mass ceremony–these people, those people】許碧梅創作展 Xu Bi-Mei Solo Exhibition
影響‧新劇場:【十六歲正青春藝術節】藝術啟蒙線上講座
雅逸藝術中心:【後.製.圖 】Post cartography - 邱杰森個展
隱藝空間工作室:【歲月靜好】陳映伶2022油畫個展
青春雞CHING CHUN JEE:【青春雞 x CHILLGA 聯手打造藝術客廳用餐體驗!】厭倦了疫情下的居家生活?解構美學品牌拆解各大品牌日常服裝與球鞋,重組出潮流感十足的水泥藝術器物。
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