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非池中藝術網

亞億藝術空間

【Inner Reality 內苑- 連師屏 創作個展】

  • 展期

    日期:2020-01-03 ~ 2020-02-02

  • 地點

    敦化南路一段236巷31號6樓

  • 參展藝術家

    連師屏 Lien Shih Ping

  • 【內苑】連師屏 創作個展

    開幕茶會:2020.01.04 (六) 3 pm

    展覽時間:2020.01.03 - 02.02

    展覽地點:亞億藝術空間 AHM Gallery

    「你只是從一個房間,進入另一個房間。
    突然你就忘了要進來做什麼了。
    ——這可能是一段Loading尚未完成。」

    「內苑」出自玄奘譯《說無垢稱經》:雖明一切世間書論,而於內苑賞玩法樂﹔雖現一切邑會眾中,而恒為最說法上首。 表現一種泰然任之(gelassenheit)之心境。這種心境本身是澄明(clearing)、開放性(openness)的。不管它遭遇外界事物或內在底層無意識湧現的種種,總是開啟一個開放場域,以讓它們依其自身方式開顯自己,而不以主觀性意欲的意志(will to will)或權利意志(will to power)對於這些內外現象加以支配、控制或進行論斷。如此的心境轉折在創作上不僅以單一方式呈現,而改以千姿百態的象徵與意象交織中,直接映現出「內苑」(inner reality)。

    此展覽展出連師屏自2016至2019創作。其作品中不純粹追求新穎或前衛,而是從不同的媒介探求新舊兼融的可能性,由傳統的繪畫,到當代的複合媒材、數位影像創作,創作靈感主要是形而學上的觀點、自然和宇宙、人和靈性等。早前作品以天然木紋、油彩、水彩,繪畫出靈感源自真實世界的畫作,繼而運用數位繪圖方式繼續發展源遠流長的傳統創作,激發觀者在科技創新速度前所未有的現今世代,深思細想如何從中體驗藝術,也是新與舊、現實與虛擬之間的有趣過程。


    【 Inner Reality 】 Lien Shih Ping Solo Exhibition

    Opening Reception: 04/01/2020 15:00

    Duration: 03/01/2020-02/02/2020

    Venue: AHM Gallery

    “You left one room to enter another,
    but you forgot why you came here.
    Maybe, the process was still loading.”

    The phrase “Inner Reality” comes from Shuo Wogoucheng jing(說無垢稱經) translated by Xuanzang(玄奘): He mixed in all crowds, yet was respected as foremost of all. He shows a gelassenheit mindset. This clear and open mindset allows the owner to let all the outside beings and his subconsciousness reveal naturally, instead of using one’s “will to will” or “will to power” to make judgments on situations subjectively. This change of mindset can be displayed creatively in an abundance of ways. Symbols and constructs intertwine with each other, reflecting the image of the ever-changing “Inner Reality”.

    AHM Gallery presents Lien Shih Ping’s works from 2016 to 2019. Rather than describing her art as avant-garde, her works show a possibility to combine the old and the new through different media from traditional paintings to contemporary mixed media and digital images. Her inspiration comes from the metaphysics viewpoint of nature, the universe, people, and spirituality. Lien’s earlier works used natural wood grain, oil paint, and watercolor to reflect on her view of this world. Then, digital graphic art also became another way for her to perform. In this digital era where the development of technology is faster than ever, the audiences can rethink — what is the best way to experience art now? Between the new and the old, between real and virtual things, we may finally be able to conclude.

亞億藝術空間連師屏複合媒材藝術

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