非池中藝術網

福利社 FreeS Art Space

【悲滅說】游孟書個展

  • 展期

    日期:2020-02-15 ~ 2020-03-14

  • 地點

    新生北路三段82號B1

  • 參展藝術家

    游孟書

  • 簡介

    游孟書 1979年生於宜蘭,曾於澳洲、美國及中國工作生活,2014年返回台灣宜蘭成立工作室。 作品曾獲藝術銀行及景德鎮陶瓷美術館收藏。

    About

    Meng-shu You ,born in 1979 in Yilan, Taiwan, used to live and work in Australia, United States and China, had set up her studio in 2014 in Yilan, Taiwan. Her works have been public collected by Art Bank Taiwan and Jingdezhen Ceramics Museum.


    簡歷

    學歷

    2010 視覺藝術博士,雪梨大學,澳洲
    2005 藝術碩士,密西根州立大學,美國
    2001 學士,國立台北教育大學,台灣

    個展

    2019 「玩具像」,靜慮藝術,台北,台灣
    2017 「玩世悠悠」,羅東文化工廠,天空藝廊,宜蘭,台灣
    2015 「美力拜拜」,中原大學藝術中心,桃園,台灣
    2009 「熔掉」,沉浸治療藝術中心,墨爾本,澳洲
    2008 「賣光」,亞澳藝術中心4A藝廊,雪梨,澳洲

    聯展

    2019 「玩具進擊」,二空間,台北,台灣
    2019 「雕塑‧遊戲‧場」,台灣藝術大學實驗劇場,台北,台灣
    2019 「兒時味」,新竹241藝術空間,新竹,台灣
    2019 「宇宙連環圖」,桃園展覽中心,桃園,台灣
    2018 「亞洲當代陶藝交流展」,弘益大學美術館,首爾,韓國
    2015 「何以為度-2015FORMOSA雕塑雙年展」,駁二藝術空間,高雄,台灣
    2015 「異境:跨越世代與地域的藝術對話」,大象藝術空間,台中,台灣
    2014 「初心·頂真」,北師美術館,台北,台灣
    2011 「雅加達雙年展」,雅加達美術館,雅加達,印尼
    2009 「白熱」,澳洲陶藝三年展暨澳洲陶藝協會雙年展,緬歷藝術博物館,雪梨,澳洲
    2009 「還鄉」,林大畫廊,798特區,北京,中國
    2007 「第四屆韓國陶藝雙年展」,仁川世界陶藝中心,首爾,韓國
    2004 「美國國家陶藝教育委員會(NCECA)地區學生入選展」,印第安那普勒斯大學, 印第安納州印第安納普勒斯,美國
    2000 「國際陶藝雙年展」,國立歷史博物館,台北,台灣

    CV

    Education

    2010 PhD in Visual Arts, University of Sydney, Australia
    2005 MFA in Studio Arts, Michigan State University, USA
    2001 BA in Art Education, National Taipei University of Education, Taiwan


    Selected Solo Exhibitions

    2019 Play with Toys, Jing Lü Gallery,Taipei, Taiwan
    2017 Toys R Diculous, Lodung Cultural Working House, Sky Gallery, Yilan, Taiwan
    2015 Mei Li Bai Bai, CYCU Art Center, Taoyuan, Taiwan
    2009 Melting Down, Immersion Therapy Art Space, Melbourne, Australia
    2008 Selling Out, 4A Gallery (Asian-Australia Arts Centre), Sydney, Australia


    Selected Group Exhibitions

    2019 Assault, Space Two, Taipei, Taiwan
    2019 Sculpture. Play. Ground, National Taiwan University of Arts, Taipei, Taiwan
    2019 Cosmicomics, Taoyuan Arts Center, Taoyuan, Taiwan
    2019 Kid Flavors, Hsinchu 241 Art Gallery, Hsinchu, Taiwan
    2018 Contemporary Ceramics in Asia, Hongik University, Seoul, South Korea
    2015 Formosa Sculpture Biennale, The Pier-2 Art Center, Kaohsiung, Taiwan
    2015 Yi Jing: The Art Dialogue between Different Generations and Regions, Da Xiang Art Space, Taichung, Taiwan
    2014 Originality Purity, Museum of National Taipei University of Education (MoNTUE), Taipei, Taiwan
    2011 Jakarta Biennale #14, Jakarta National Gallery, Jakarta, Indonesia
    2009 White Heat, The Australian Ceramics Association's Biennial Exhibition in conjunction with The Australian Ceramics Triennale, Manly Art Gallery & Museum, Sydney, Australia
    2009 Home Coming, Linda Gallery, 798, Beijing, China
    2007 CEBIKO (The 4th World Ceramic Biennale 2007 Korea), Icheon World Ceramic Center, Seolbong Park, South Korea
    2004 NCECA Regional Student Juried Exhibition, NCECA (National Council on Education for the Ceramic Arts), University of Indianapolis, Indianapolis, IN, USA
    2000 International Biennial Exhibition of Ceramic Art, National History Museum, Taipei, Taiwan


    展覽論述


    『悲滅說』是藝術家從2017年探索創作的積累。利用材質操作及雕塑手法,透過轉譯玩具本質特性,處理現世人類面對自我精神性的厄運與毀滅,其過程中所帶來的情緒焦慮及末世壓力。作品包含陶瓷、雕塑模製及現成物等,透過轉譯玩具探索自身內在、面對權力與毀滅等精神面向。

    玩具是成長過程的近身陪伴,記憶與時光的混合體。至於近當代之後,玩具也成為資本主義與文化價值最直接的滲透載體。本展覽的作品,嘗試利用「樂高積木」的普世觀點及價值,透過去色、去形、再製等當代視覺語言,徹底解構「玩具」的面向,掀開身而為人所面對的悲劇課題。



    Artist Statement

    The exhibition titled The Song of Melancholy present Meng-shu You’s studio practices since 2017. She attempts to explore the anxiety and depression behind the sprit that deals with the theme of authority and deconstruction by using “toys” as the key point to engage with ceramics, sculpture and already made stuffs.

    As everyone’s growing up memories, toys are always our close friends. Nowadays, toys also represent the phenomenon of capitalism or the ideology of cultural icons. By using the contemporary visual strategies such as decolor, decay and reform, Meng-shu tried to deconstruct the general perspectives of “lego bricks” that would underline the issues of melancholy in artistic way.



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