Teng Jing Ping
chip snake and apple(? & ↑ series )
尺寸:65x50 cm 12 F
媒材:壓克力顏料,油彩畫布,現成物,複合媒材
創作年份:1995
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運費:NT$ 400
chip snake and apple (? & ↑ series ) (16幅繪畫裝置作品之一)
數位化時代的集合藝術,作品以電子板作為蛇體,追逐著蘋果,深陷泥澇而不自知。貪吃蛇的晶片化的模型。在晶圓技術重要性日益增加,晶片產業也成為各國爭奪的新石油,AI不僅推砌人類知識的新高度,更產生機械裡的鬼魂與數位巨擘殖民的疑慮。各國紛紛加緊訂定新的數位法規,這是在人類積極推進AI必要形成框架與平衡。在演算法迭代創造新價值的同時,電力與自然資源需求持續疊高,其發展即將面臨極限,但可預見這股慾望將另闢蹊徑。
Digital-era assemblage art, where the artwork uses an electronic board as a snake body, chasing an apple and sinking into mud without realizing it. A chip-based model of Snake. As the importance of wafer technology increases and the chip industry becomes the new oil for nations to compete for, AI not only pushes the new heights of human knowledge but also gives rise to concerns about mechanical ghosts and digital overlord colonization. Various countries are rushing to establish new digital regulations, which is a necessary framework and balance as humans actively promote AI. While algorithms iterate to create new value, the demand for electricity and natural resources continues to rise, and its development is about to reach its limit. However, it is foreseeable that this desire will find new ways.
Subject:蔬果