非池中藝術網

邱博楷，1997年生，2019畢業於國立臺灣藝術大學書畫藝術學系學士，2023畢業國立臺灣藝術大學書畫藝術學系碩士，以水墨、膠彩作為主要創作媒材，聚焦於東方繪畫的類型與題材。

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大學時期多以水墨紙本繪畫，以黑白單色水墨呈現，碩士期間則接觸膠彩，以重彩成為主要表現。現今主要思考，中國美術的形式精神，是因時代背景、文化思維而形塑了鮮明的標竿和準則，帶著強烈、難以撼動的文化思維，而這些既定的思維，必然成為創作必須面對的課題，為何畫山，為何寫水，如何重新詮釋屬於個人山與水，是藝術家持續突破與追尋的課題。

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邱博楷的作品多以山水圖示為創作，有別於古典山水的人文意境，更多了一份奇幻色彩，作者跳脫了原有的框架，透過個人的排列組合，重新詮釋了另類的山水風格。創作者的空間裡結合著房舍、街道、靈獸等點景內容，反應著生活於都會叢林裡的壓抑感，嚮往著自然山林的幽靜，並追求與自然間和諧共存的理想與渴望，希冀能將「現實風景」、「日常感知」注入於古典中，延伸出個人對山水的另類定義與全新樣貌。

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Ciou Bo-Kai, born in 1997, graduated from the Department of Chinese Painting and Calligraphy at National Taiwan University of Arts in 2019 with a bachelor’s degree. In 2023, he completed his master’s degree in the same department at National Taiwan University of Arts. His primary mediums of artistic creation include ink and Eastern gouache, focusing on the types and themes of Eastern painting.

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During his undergraduate years, Chiu mainly engaged in ink painting on paper, presenting works in black and white monochrome ink. In his master’s program, he explored Eastern gouache painting, with heavy color application becoming a primary expressive technique. Currently, he reflects on the formal spirit of Chinese art, understanding that it has been shaped by distinct benchmarks and criteria due to historical context and cultural thinking. Guided by strong and unshakable cultural perspectives, these established ways of thinking inevitably become challenges that artists must confront in their creations. Questions such as why paint mountains, why depict water, and how to reinterpret one’s personal interpretation of mountains and water become ongoing subjects for artistic exploration and breakthrough.

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Ciou Bo-Kai’s works primarily feature landscape depictions, departing from the humanistic ambiance of classical landscapes and imbuing a sense of fantasy. The artist breaks free from traditional frameworks, offering a reinterpretation of landscape with a unique style through personal arrangements and combinations. Within the artist’s space, elements such as houses, streets, and mythical creatures are integrated, reflecting a sense of oppression experienced in the urban jungle. Simultaneously, the artworks express a yearning for the tranquility of natural mountains and forests, aspiring to an ideal and desire for harmonious coexistence with nature. The artist aims to inject “realistic scenery" and “everyday perceptions" into classical art, extending a fresh and alternative definition of landscapes with an entirely new appearance.