非池中藝術網

關於

關於

　　唐孟秋（RAIN TANG） 是一個感性且用藝術生命與精神結合進行內在深度探索和療癒的靈性藝術家。

　　她說作為藝術家有比常人更敏銳的觀察力，感知和悟性，她著迷於日常出行和自然中所見光影景像之啟發，有意識透過對光影之景－陽光照射物體或自然光線下風景上的動態，變幻莫測，似生命萬物不斷輪替變化著，也如人的情緒潮汐般變幻，有層次回憶的時間感及空間聯想觸動聯結內在深層的情感記憶，並喚醒人的意識，直面當下頓悟、情緒喚醒、省視、觀照的醒悟。她說，這種藝術創作的過程就是精神的修練，她想用這種直面當下的觀看來喚醒人類的精神覺醒。她擅長細膩的運用膠彩媒介探討光影的靜默、氛圍、環境的色溫與時間線的敘事表達、觀看， 膠彩獨特的色溫所表現有層次回憶的時間感及空間聯想， 讓人產生對時空縱觀的聯結，故在同一個畫面產生過去、現在、未來的三種同一時間線的交錯，具有極強的敘事性，像一部電影在訴說人一生起落，都是過程，都是體驗，但自性的寧靜是永遠不變的真理。

　　她從探索內在感知表現對畫面光影的節奏感所拉出的空間效果，隨著光影表現的時間線互為互補，形成一個完美敘事的聚焦與關注觀看，呈現除了沉著平靜的靜謐，更具豐富有趣的故事性與想像空間，但這個故事性是不明確且模糊和游移不定的，只在於觀者本身的感受與人生經歷相呼應與共情的共鳴，這即是她在創作中用膠彩媒介特殊顯色的實驗性探討來表現光影的靜默、氛圍、溫度，並詮釋色彩時間線的表達、觀看，以此來轉譯她在藝術哲學對生命本質的思考和探討。

RAIN TANG is a sensual and spiritual artist who combines artistic life with spirituality for deep inner exploration and healing.

She says that as an artist has a sharper sense of observation, perception and enlightenment than ordinary people. She is fascinated by the inspiration of light and shadow scenes she sees in her daily moving and in nature, and she is aware of the dynamic and unpredictable nature of light and shadow scenes - the dynamics of the sunlight irradiated objects or the natural light in the landscape, which seem to be constantly elapse and rotating like the life of all things, and like the tides of human emotions, with a sense of time and space associations that touch and connect the deeper emotions within. The sense of time and spatial association of hierarchical memories touch and connect the deep emotional memory, and awaken the human consciousness to face the epiphany, emotional awakening, introspection, and illumination of the present moment of awakening. She says that the process of art creation is a spiritual practice, and she wants to use this kind of observation to awaken the spirit of human beings. She is good at using the mineral pigments to explore the silence of light and shadow, the atmosphere, the color temperature of the environment and the time line of the narrative expression, viewing, the unique color temperature of mineral pigments to express the sense of time and spatial associations of layered memories, so that people have a longitudinal view of the association of space and time, so that in the same picture to produce three kinds of the same time line of the intertwining of the past, the present, and the future, a very strong narrative, like a movie in the life of a human being telling the ups and downs, all is a process, all is an experienc, but the serenity of the self(being) is the unchanging truth.

　　She explores the inner perception of the performance of the rhythmic sense of light and shadow on the screen pulled out of the spatial effect, along with the light and shadow performance of the time line complement each other to form a perfect narrative focus and attention to the viewer, presenting in addition to calm and quiet quiet, more interesting storytelling and imagination space, but this storytelling is not clear and fuzzy and wavering, but only in the viewer's own feelings and life experiences echo and empathy. This is the experimental exploration of the special color rendering of the mineral pigments medium in her creations to express the silence, atmosphere, and temperature of light and shadow, as well as to interpret the expression and viewing of the color timeline, which translates her thinking and exploration of the nature of life in her art philosophy.

學歷

臺灣藝術大學書畫藝術系藝術碩士

臺灣藝術大學書畫藝術系藝術學士

獲獎

2012 年行天宮人文美術大獎水墨成人組第二名

2012 年國際青年美術攝影大賽水墨組金牌獎

2012 年、2013 年 復興美展 水墨類第一名 油畫類第三名

2014~2018 年 台灣國立藝術大學校慶美展，師生美展入選

2017 年 璞玉美展 水墨類入選

2018年　全國美展水墨類入選

參展

2012 行天宮人文美術大獎作品展

2014 國父紀念館 逸仙畫廊復興獲獎美展

2014~2017 年 台灣國立藝術大學校慶美展，師生美展

2016 年6 月 九歌畫會現代水墨聯展

2016 年10 月 台灣當代水墨畫家聯展

2016 年11 月 【墨契】水墨联展

2017 年2 月 【氤氳尋藝】聯展

2017 年7 月 【研練澄汰】 膠彩展

2017 年12 月 【石緣印壁】 篆刻書法聯展

2018 年6 月 國立台灣美術館 【一0七全國美術展】

2019年12月【沐於墨】東方畫廊書畫聯展

2020年4月【穀雨後】書畫聯展

2020年10月 臺灣藝術大學研究生創作展

2024年3月 高雄藝宿家客棧百大名畫展示

2023年8月 【心境光影個展】Madeleine Art Gallery/天美藝術基金會

2023年11月 【心境光影個展】大漢藝廊/台灣藝術大學