非池中藝術網

關於

1993年 出生、生活與工作於 斯洛伐克，布拉提斯拉瓦

2017年 畢業於 斯洛伐克布拉提斯拉瓦表演藝術學院 學士

2019年 畢業於 英國倫敦藝術大學 碩士

-

近期經歷

2024年 WEAR NO.II，Best Before Collective & Studio ABC，魏林比，瑞典

2024年 天鵝絨革命35周年，臺南，臺灣

2024年 成為 烏克蘭利沃夫文化宮 Hnad Khotkevych的SoliDare 駐地計劃得主

-

藝術家自述

混凝土是全球使用最廣泛的人造材料，因此它是捕捉人造世界的完美材料。在我看來，沒有任何材料能與其在現代世界中的使用規模以及對我們人類的影響相提並論。我們用它來建造我們的世界。我喜歡將我們這個時代稱為「混凝土時代」。

-

我對混凝土創作的熱愛來自於打破這種材料的刻板印象，因為它通常被視為一種未經處理、髒污且沉重的建築材料。雖然我的創作過程是身體性的、感官上的，但我的作品與這些特徵完全相反——它們整潔、精確、細緻，像大理石一樣處理，達到精細的拋光效果，從而創造出一種與預期相悖的效果。

-

我的雕塑創作過程符合我對這種材料的兩種看法。首先，我將混凝土視為一種具有紀念性、廣泛使用且不可替代的材料，通過它我表達出同樣具有紀念性、根植於我們現代歷史的觀念，這些觀念被大眾使用，標誌著人類的進步。其次，我將混凝土視為一種普通的、粗糙的建築材料，我利用其基本特性創作出具象徵意義的建築雕塑版本。

-

REGULAR CONCRETE 是我的藝術項目，專注於使用這一材料創作雕塑。

( 註：中文版由暮拉多元藝術空間透過軟體將英文版翻譯，具體原意請以英文版為主。)

-

b. 1993, lives and works in Bratislava, Slovakia.

2017 Bachelors Degree – Academy of Performing Arts, Bratislava, Slovakia.

2019 Masters Degree – University of the Arts in London, United Kingdom.

-

EXPERIENCE

2024　WEAR NO.II, Best Before Collective & Studio ABC, Vällingby, Sweden.

2024　35th Anniversary of the Velvet Revolution, Tainan, Taiwan.

2024　Laureate of the residency program SoliDare at the Palace of Culture Hnad Khotkevych, Lviv, Ukraine.

-

ARTISTS STATEMENT

Concrete is the most used human-made material in the world, which makes it the perfect material to capture the human-made world. In my view, there is no other material comparable to the scale of usage in the modern world and its impact on us humans. We build our world from it. I like to call our period the Concrete Age.

-

My love for working with concrete comes from disrupting the material stereotype since it is usually perceived as an unpolished, dirty, and heavy building material. Although my work process is physical and visceral, my works are the exact opposite of that – neat, precise, detailed, treated like marble to a fine polished finish, creating a mismatch of expectations.

-

The creative process behind my sculptures fits into one of my two points of view on the material itself. Firstly, I look at concrete as a monumental, mass-used, and irreplaceable material with which I capture ideas that carry the same monumental presence ingrained into our modern history, used by the masses, marking human progress.

Secondly, I look at concrete as a regular, rough building material, which I use in its core intention to create sculptural versions of iconic buildings.

-

REGULAR CONCRETE is my art project focused on creating sculptures exclusively from this material.

( Note: The English version was translated from the Japanese version by the artist with the help of software. Please refer to the Japanese version for the exact meaning.)