非池中藝術網

關於

1985年 出生於臺灣臺中 生活與創作於台灣

2010年 國立台灣師範大學美術系西畫創作 碩士

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重要經歷

2021　個展《相．對》，青雲畫廊，臺北，臺灣

2015　個展《異界風景》，黎畫廊，臺北，臺灣

2014　榮獲《YOUNG ART TAIPEI 台北當代藝術博覽會》新潮賞，臺北，臺灣

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藝術家自述

朱書麒，生於台灣。2014年獲Young Art Taipei台北當代藝術博覽會新潮賞。並曾受邀於中國北京、中國廣州、澳洲、日本、韓國首爾展出。

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在一個藝術形式百花齊放的時代，朱書麒始終獨鍾寫實繪畫。而單純就寫實描繪畫面這件事，已經被朱書麒完成到一個幾可亂真，甚至比真實還真實的呈現。在朱書麒看似動植物、昆蟲寫實的古典油畫作品，望進去卻是衝突暴烈的景象。因此除了寫實描繪以外，透過「弄假成真」來形塑一個畫面表現是他主要思考關注的課題。

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朱書麒期望帶給觀賞者在細膩的描繪技巧下，依然能呈現特殊的畫面表現與氣氛，一個經由藝術家加工而成的「真實存在」。

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創作理念

朱書麒的創作語彙中明確展現著衝突、相對、強弱等二元對立性，「二元論」(dualism)，二元並存的理念為希臘哲學家柏拉圖所提出，認為人存在有兩個世界，一個是靈魂所處的理性世界，另一個是身體所處的現實世界，認為身體上的感官所接觸到的世界「並非是真實的世界」，唯有靈魂所處的世界才是「真實的世界」，因此感官的世界只是靈魂世界的影子。

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由「二元論」(dualism)進一步延伸出一個更為廣泛的概念，就是「二元性」(duality)，現代的波蘭美學家Wladyslaw Tatarkiewicz. 在他三大冊的《美學史》(History of Aesthetics)在「導論」裡大部分篇幅都在談論美學史裡的各種二元性，幾乎只要能夠兩相對照，皆可用二元性來做為一個廣泛的概念對比。

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與其說朱書麒的創作充分展現了古典寫實的奇幻力量，他覺得自己更像個社會生態觀察家，觀察著世間萬物人生百態，與其說描繪的對象物如變色龍、角蛙、瓢蟲、蝴蝶等象徵著人類某種行為模式，倒不如說人類本來就是動物，而他所描繪的對象物不過是把生為一個物種最直白顯露的生存本能表現無遺，不加雕飾偽裝，而著一切恰好可以用來像寓言一般表現創作者對人生的觀察與體驗。

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這次展出的作品「人王與得聖者」，是在探討生而為人，要成王成就一番霸業往往是必須踩著許多人的血肉而成，靠的可以是武力是智力抑或是狡詐奸巧，但要成為一個得聖者流芳百世，往往只能靠自我的修養，言傳身教以德服人。

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「井蛙闊論」與「三人成虎」的勇氣，翻遍眾多資料很奇特的是對於蛙類、蟾蜍等這類生物正面正向的文字或成語詩詞甚少，貶抑輕視的內容甚多，但這偏偏就是拿來數落生而為人的我們恰恰正中下懷甚是貼切，在現今資訊傳播迅捷，真假消息混雜的時代，從眾效應的影響，常常聽到某某某誰誰誰大放厥詞，網路世界一片浪潮蜂擁相傳，無遠弗界，孰是井蛙，孰是智者，也只能交給時間等浪潮退了，方知一二。

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b. 1985, Taichung, Taiwan, Now lives and works in Taiwan.

2010 M.F.A., Department of Fine Arts, National Taiwan Normal University.

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IMPORTANT EXPERIENCES

2021　Shu-Chi CHU Solo Exhibition, Cloud Gallery, Taipei, Taiwan.

2015　Outsider Landscape, ART LEE CENTER, Taipei, Taiwan.

2014　YOUNG ART TAIPEI-Young Art Award, Taipei, Taiwan.

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ARTISTS STATEMENT

CHU Shu-Chi, born in Taiwan. In 2014, he won the Young Art Award at the Young Art Taipei. He has been invited to exhibit in Beijing, China, Guangzhou, China, Australia, Japan, and Seoul, South Korea.

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In an era when various art forms flourish, CHU Shu-Chi has always been fond of realistic painting. As for the simple matter of realistically depicting the scene, CHU Shu-Chi has accomplished a presentation that is so realistic that it is almost indistinguishable from the real thing, or even more realistic than the real thing. CHU Shu-Chi’s classical oil paintings, which appear to be realistic depictions of plants, animals, and insects, actually reveal scenes of violent conflict. Therefore, in addition to realistic depiction, shaping a picture through “making the fake real" is his main concern.

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CHU Shu-Chi hopes to bring viewers a special visual expression and atmosphere through delicate depiction techniques, a “real existence" processed by the artist.

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CREATIVE CONCEPT

CHU Shu-Chi’s creative vocabulary clearly displays the duality of conflict, relativity, strength, and weakness. Dualism, the concept of dual coexistence, was proposed by the Greek philosopher Plato, who believed that there are two worlds in human existence: the rational world where the soul lives, and the real world where the body lives. It is believed that the world touched by the physical senses is “not the real world", and only the world where the soul lives in the “real world". Therefore, the world of the senses is only a shadow of the world of the soul. A broader concept further extended from “dualism" is “duality". The modern Polish aesthetician Wladyslaw Tatarkiewicz. In his three-volume History of Aesthetics Most of the space in the “Introduction" is devoted to discussing various dualities in the history of aesthetics. Almost as long as two things can be compared, duality can be used as a broad conceptual comparison. The work “King and Hallow" on display at this art fair how, as a human being, to become a king and achieve hegemony, one must often step on flesh and blood of many people, whether through force, intelligence, or although one may be cunning and treacherous, to become a saint and leave a good reputation for generations to come, one can only rely on self-cultivation and teaching by words and deeds to win people over with virtue. The courage of “The Ignorant Show" and “Woozle Effect". After searching through many materials, it is strange that there are very few positive words or idioms and poems about frogs, toads, and other creatures, and there are many derogatory and contemptuous contents, but this is exactly what we want to criticize as human beings. In today’s era of rapid information dissemination and mixed true and false news, the influence of the herd effect often hears someone making outrageous remarks on the Internet. A wave of waves is spreading across the country, with no boundaries. Who is the frog in the well and who is the wise man? Only time will tell when the wave recedes.