2022新樂園第三屆媒體影像展
展覽名稱：影像身
策展人：陳奕如
藝術家：李亭依、李欣穎/李明潔、段沐、張黛筠、黃迦

#相關座談會與現場活動將會以新樂園粉專為準
＃因應疫情升溫，請各位遵守各項防疫規定。

後疫情時代的日常已降臨，物質性的肉身遭受限制，數位世界卻逆向蓬勃發展，視訊授課、在家工作、網路展演，在人與人之間，「螢幕」成了組隔病毒的臨時庇護所，填裝於其內的「影像」卻默默地以防疫之名替換各式各樣的真實接觸，它無所不在，並透過網路翻轉私密領域至公共平台；「影像在，人即在？」，疫情讓影像的代理地位維持不墜，而透過社群網站、手機軟體，人們進行身體的建構與再建構，交織出虛、實莫辨的生活與社會連結。

藝術展演的形式大舉數位化，擴增實境（AR）、虛擬實境（VR）、線上展覽或直接開放觀賞的網路作品層出不窮，與此同時，專注於現場的作品仍試圖於瘟疫稍停之際短暫呈現，進行小範圍交流。然而，我們始終必須面對在如此影像爆炸的時代，身而為「人」的位置在哪裡？而人們仰賴建構情感與社會關係的實體交流，又如何轉換到邏輯迥異的影像世界？

「影像身」(Life on Video) 將聚焦於人面對媒體影像所生出的沈浸、延伸、對抗、缺席或反思的姿態，由「身」(life) 的詮釋作為出發點，探討身體、身份、生命和生活，並形構出它們與「影像」之間的關係。


2022 Shin Leh Yuan: The 3rd Media Image Exhibition
Exhibition title: Life on Video
Curator: Yi-Ju Chen
Artists: Ting-Yi Lee, Hsin-Ying Lee / Ming-Chieh Lee, Mu Tuan, Tai-Yun Chang

The post-pandemic era of everyday life is upon us, and while the physical body is restricted, the digital world is thriving against the odds. Video lectures, working from home, online performances, the “screen” has become a temporary refuge and blocking device for viruses between people. The "images" that it packs within silently replace all sorts of real connections, in the name of pandemic prevention. They are omnipresent, and are transposed from private sphere to public platforms via the web. Where the images are, people exist? The pandemic has sustained the proxy status of images, and through social networking sites and mobile phone applications, people are constructing and reconstructing their bodies, interweaving life and social connections in a cyber space that is now indistinguishable from reality.

The format of art exhibitions has become significantly digitalized, with a proliferation of augmented reality (AR), virtual reality (VR), online exhibitions, and web-based works that are accessible directly by the public. At the same time, works focusing on live presentation are attempting to make transient appearance during this temporary lull of the plague, for small-scale communications. However, we must ultimately face the fact that in this era of exploding images, where do we fit in as "human beings"? And how does the physical interaction, which people rely on to construct emotional and social relationships, translate into a world of images with drastically different logic?
"Life on Video" will focus on the postures of immersion, extension, confrontation, absence and reflection as generated by human beings in the context of media images. From the interpretation of "life" as the starting point, we will explore the body, identity, life and living, and what constitutes the relationship between them and the "images".