我們的記憶不僅時常以影像的方式現身，影像也藉由自身成為了我們的記憶，甚至主導著我們生活中的一切思考和觀看。
​
運動中的影像在進入我們視線範圍時，其實不講究內在的厚度，也不成為深刻的記住，藉由既低限又容易失真、失去和失焦的特性，以追求成為普遍的配置被散落於整件作品當中，並被視為一個整體的可被遭遇的事件。化身為低失記憶的影像們，時常在整件作品的某個不自覺的時刻，朦朦朧朧在觀看者的腦海中造成互相指認的殘影。
​
當記憶以影像的方式被呈現時，也逐漸形塑著觀看者的記憶，企圖和觀看者原有的個人記憶發生疊層或對話。運動影像最終不僅是由影像組成，更是記憶的某種表達慾望，記憶和影像形成一個永不停歇的迴圈，就像碎片般總是向我們迎面而來，又一閃而過。
​
作為一位運動影像的創作者，在製造影像時，同時提供的是一個回憶的方案，影像藉由被蒐集、重組或編排，以產生差異或不差異，一幀幀流動的影像，以動態的行進串連出一部屬於記憶的運動影像。
​
因此運動影像的製造技術，也是製造記憶的技術，而低失記憶的概念，就是記憶以孱弱的身影被我們所觸及和觀看。如果影像亦即某種低失記憶，在經歷運動影像的作用以後，觀者必然在生活的細微末節中重返那些看似不留痕跡但曾擦身而過影像。
​
​
Our memories not only often manifest in the form of images but also become our memories through the images themselves, even dominating all our thoughts and observations in life.
​
The images in motion, when they enter our field of vision, do not emphasize inner depth nor become deeply ingrained in our memory. They pursue becoming a ubiquitous configuration scattered throughout the entire work, characterized by both low fidelity and easy distortion, loss, and blurring. These images seek to be encountered as a cohesive event within the whole. As embodiments of Hypomnesic Memory, they often create vague remnants in the viewer＆#039;s mind at some unconscious moment during the viewing.
​
When memories are presented in the form of images, they gradually shape the viewer＆#039;s memory, attempting to layer or converse with the viewer＆#039;s existing personal memories. In the end, motion images are not only composed of images but also a desire for memory expression. Memory and images form an endless loop, always coming at us like fragments and flashing by.
​
As a creator of motion images, when crafting these images, a memory narrative is simultaneously provided. Images are collected, reorganized, or arranged to generate differences or similarities, frame by frame, flowing images that string together into a dynamic narrative of memory through motion images.
​
Therefore, the production techniques of motion images are also the techniques of creating memories, and the concept of Hypomnesic Memory is how memories are touched and viewed in the form of fragile silhouettes. If an image represents a form of low-loss memory, after experiencing the impact of motion images, viewers will inevitably revisit those seemingly untraceable images that once brushed past their lives in the subtleties.

_____________________________
低失記憶術 Hypomnesic Memory

策展人｜Curator
陳世育

展覽時間｜Exhibition Dates ＆ Time
01.07 - 01.22 2024

週一 Mon. - 週六 Sat. 10:30am - 10pm
週日 Sun. 11:30am - 7pm

展覽地點｜Location
鬧空間 NOW space ＆ 鬧房間 NOW room

開幕｜Opening reception
01.14 2024

主辦單位｜Host
Afterimage ＆ 鬧工作室 NOW studio

佈展協力｜Exhibition Installation
Our Place 我們家

REFERENCE

低失記憶術 Hypomnesic Memory