非池中藝術網

艸愚軒 Wan Gallery

【淨物 Pure Matter 】張宏彥個展 HUNG YEN CHANG Solo Exhibition

  • 展期

    日期:2024-05-18 ~ 2024-07-06

  • 地點

    新竹市香山區中華路五段451號

  • 相關連結

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  • 參展藝術家

    張宏彥

  • 艸愚軒很榮幸地為各位帶來新展覽「淨物」,這次將展出藝術家張宏彥的全新系列作品,透過對自然景致的描繪,引領觀者重新評估與自然的關係,尋求在日益全球化和技術先進的社會中與自然和諧共存的途徑。

    歡迎關注艸愚軒的各位屆時到現場蒞臨指教!

    WAN GALLERY is delighted to announce the new exhibition "Pure Matter” . This exhibition will showcase a brand new series of works by artist HUNG YEN CHANG, portraying natural landscapes and inviting viewers to reassess their relationship with nature. Through his art, CHANG prompts us to seek harmony between nature and our increasingly globalized and technologically advanced society.

    We cordially invite you to visit our exhibition !


    展覽介紹 Exhibition Info|

    歷史長河中,萬物皆有靈的信念、神道中對自然崇敬的精神、海德格對技術的批判,以及對當代景觀的批評,共同編織了一個關於世界和存在本質的深刻連結與關懷的敘事。泛靈 論認為,生命和靈魂存在於自然的每一個角落,而作為一種原生信仰的神道,強調與自然 和諧共處的生活方式,透過節慶和儀式來敬畏自然。

    海德格批判地探討了現代技術如何將世界簡化為資源。倡導回歸到更真實的存在模式,提出一種生活方式,可以重新發現人與世界之間的聯繫,從而對抗現代技術帶來的疏離感。與此同時,對社會景觀的批評揭示了現代消費主義和媒體如何以代表性的形式取代直接經 驗,碎片化了我們對現實的感知。

    這個挑戰要求我們重新評估與自然的關係,尋求在日益全球化和技術先進的社會中與自然 和諧共存的途徑。它鼓勵我們在面對深奧作品前暫時擱置將世界轉化為代表性和資源的慣性,邀請我們更深入地與周遭環境互動。

    Throughout history, the belief in animism, the spirit of natural reverence in Shinto, Heidegger's critique of technology, and the critique of the contemporary landscape weave a narrative of profound connection and concern for the essence of the world and existence.Animism posits that life and soul reside in every corner of nature, while Shinto, as an indigenous faith, emphasizes a way of life in harmony with nature, venerating it through festivals and rituals.

    Heidegger critically explores how modern technology reduces the world to a resource. Advocating for a return to a more authentic mode of existence, he proposes a way of life that can rediscover the connection between people and the world, thereby combating the alienation brought about by modern technology. Meanwhile, critiques of the societal spectacle reveal how modern consumerism and media replace direct experiences with representations, fragmenting our perception of reality.

    This challenge demands a revaluation of our relationship with nature, seeking paths toward harmonious coexistence in an increasingly globalized and technologically advanced society. It encourages us to pause before profound works to momentarily set aside the inertia of rendering the world into representations and resources, inviting a deeper engagement with our surroundings.


    Venue - Wan gallery
    MAY 18 - JUL 06, 2024

  • REFERENCE

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