10/27 14:00 開幕藝術家座談
11/17 14:00 沈菲比「已婚居家女性創作者之生活狀態」座談暨工作坊

聚集於321巷藝術聚落的木造房屋，原是日治時期的軍官宿舍，國民政府來台後，成為成大教授們的宿舍。這些屋舍是一個個家庭居住的所在，但歷史中可見的，常是屋子男主人的形象。然而，支撐家戶運轉的往往是那些在幕後默默勞動的女性，她們辛勤工作的身體往往被房舍的建築所深深掩藏，隱蔽而幽暗。

本展從兩位女性藝術家的作品出發，透過藝術的形式重新思考女性勞動所帶來的價值、認同和故事，從女性生活的場域中翻轉和揭示出來。柬埔寨藝術家Hul Kanha的影像系列《One Hundred Hands》與《Values》，探訪柬國暹粒省與東北部蒙多基里省（Mondulkiri）布沙拉鄉的「普農族」（Bunong），以社區婦女的傳統沙龍裙作為個人認同的象徵物，結合攝影與多媒材拼貼，述說出一位位女子的故事。台灣藝術家沈菲比(沈君儀)則蒐集他人家中多餘的毛線材，以《你的不需要正是我的需要》為題，編織出一個個充滿新生命的器物，乘載毛線擁有者的個人故事，以及藝術家本人的生命經驗。

此地是女人的棲身之地，她們用自己的身體勞動，創造價值，傳遞價值，最終女人重新編寫價值的意義。但在這脫去生活脈絡重新整修的歷史屋舍中，我們不再能看到當年在此居住的女人們所留下的痕跡。此展企圖以兩位女性藝術家的視角與實踐，再次將這些平常我們不曾注意到又真實存在的女人們，帶回到此地，並散發出她們的生命之光。

Step into the historical enclave of 321 Arts Village, where once stood military officer dormitories from the Japanese colonial era, later repurposed as residences for Cheng Kung University’s professors. Despite historical portrayals centering on male figures, it was often the unseen labor of women that sustained these households.

Our exhibition showcases the works of two female artists, shedding light on the hidden narratives of women’s labor. Cambodian artist Hul Kanha’s “One Hundred Hands” and "Values" series capture the essence of her hometown in Siem Reap and Bunong Village in the Mondulkiri province, using women’s traditional sarong skirts as symbols of personal identity. Taiwanese artist Phebea Shen collects surplus yarn from other’s homes, weaving them into objects brimming with new life under the theme "What You Don’t Need is Exactly What I Need," encapsulating the personal stories of the yarn owners and the artist’s own life experiences.

In this domain of women, where labor becomes an act of creation and transmission of value, the exhibition transcends the physical confines of renovated homes. It becomes a celebration of resilience and empowerment, a poignant reminder of the enduring legacy left by these unseen heroines. Join us on this transformative journey as we unveil these remarkable women’s vibrant lives and untold tales, reigniting their presence within the cherished confines of 321 Arts Village.

參展藝術家
Hul Kanha
1999 年出生於柬埔寨暹粒的當代藝術家，她的創作實踐包括攝影、行為表演、繪畫、剪紙、拼貼、模板噴畫與參與式創作。Kanha的作品主題經常強調女性在社會中的作用，質疑社會根深蒂固的價值信仰，並歌頌女性的生活和榮耀。
Born in Siem Reap in 1999, Hul Kahna is a contemporary artist who is pursuing a bachelor’s degree in English at Paññāsāstra University of Cambodia alongside her artistic practice. Her creative practice encompasses photography, performance art, painting, paper cutting, collage, stencil techniques, and participatory projects. Thematically, Kanha’s work often highlights the role of women in society, questions society’s deeply held beliefs, and celebrates women’s lives and glories.

沈菲比(沈君儀) Phebea Chun-Yi Shen
藝文工作者，喜劇性格，老派思想，用力過著堅持與理想並進的人生。出生成長並現居創作於桃園。2002年起於泛視覺藝術領域謀生。2007年旅居法國尼斯。國立臺北教育大學藝術與造形設計學系，藝術理論組，碩士。
Art facilitator Phebea Chun-Yi Shen is a comical person who has a soft spot for old and nostalgic things. She is dedicated to living a life where she works hard to realize her dreams and ideals. Currently based in her hometown, Taoyuan, Taiwan, Shen has been working in the visual art industry since 2002, and she also lived in Nice, France in 2007. She holds a master’s degree from the Department of Arts and Design at the National Taipei University of Education, specializing in art theory.


策展人 Exhibition curated by
劉姿蘭 Liu Tzu-Lan
藝文工作者兼中法譯者，2008至2013年間旅居巴黎，研習博物館相關學位並獨立接案，後返台進入文化政策與文化外交領域任職，2016至2022年服務於法國在台協會擔任文化專員，主要負責表演藝術與視覺藝術等領域之台法文化合作案。
Liu Tzu-Lan is an independent writer and Mandarin-French translator with 7 years of experience in international cultural policy and diplomacy. With two Master’s degrees in Museology and Preventive Conservation from MNHN and Paris I University, she served as Cultural Attaché in the French Office in Taipei, leading cooperation projects between Taiwan and France in performing arts and visual arts from 2016 to 2022.

視覺統籌：吳佳曄

REFERENCE

2024 臺南藝術節